Buku tua terbuka di depan jendela, sampulnya sedang diganti

Jasa Reparasi, Restorasi, dan Rekondisi Buku Profesional oleh Hibrkraft. Melayani Seluruh Indonesia.

Entah buku kesayangan orangtuamu yang mulai rapuh, koleksi langka yang menuntut restorasi presisi, atau buku pegangan yang bolak-balik kamu buka setiap hari, tim Hibrkraft merawat tiap halaman dengan tangan terlatih, material terbaik, dan perhatian penuh.

Setiap buku dan dokumen punya kisahnya masing-masing. Kami menjaga itu.

Sebagai anggota International Institute for Conservation of Historic and Artistic Works (IIC), kami membawa standar konservasi dunia ke tangan-tangan penuh hormat di Bogor, dan ke seluruh Indonesia.

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Empat tingkat

Catur Karya

Setiap buku punya kerusakannya sendiri, jadi harganya tidak satu. Diurutkan dari yang paling ringan.

Ukiran tiga punggung buku kulit berhias, masing-masing bertuliskan judul dan angka tahun — Punggung adalah bagian buku yang paling sering rusak, dan yang paling sering kami kerjakan ulang. Tiga contoh punggung kulit anak sapi dari katalog Zaehnsdorf ini memperlihatkan apa yang harus kembali ke tempatnya semula setiap kali sebuah punggung dibongkar: judul, sekat antar-seksi, dan hiasannya.Samples of Backs suitable for Calf Work. Joseph W. Zaehnsdorf, *The Art of Bookbinding: A Practical Treatise*, 1890. Domain publik, via Project Gutenberg.

Reparasi

Rp 35.0003–5 hari kerja

Perbaikan kerusakan fisik seperti sobekan, jilidan longgar, atau halaman lepas dengan ketelitian tinggi.

Rekondisi

Rp 45.0005–7 hari kerja

Pemulihan tampilan buku rusak agar kembali tampan tanpa menghilangkan karakter aslinya.

Restorasi

Rp 85.0007–10 hari kerja

Penyegaran total buku rusak, mengganti elemen dan komponen. Meliputi perubahan struktur.

Konservasi

Rp 125.00010–20 hari kerja

Pelestarian jangka panjang untuk buku langka atau bersejarah dengan bahan reversibel dan pencatatan setiap langkah.

Penilaian awal

Buku Anda masuk tingkat yang mana?

Dua pertanyaan, lalu Anda tahu tingkat layanannya, harga mulainya, dan berapa lama pengerjaannya — sebelum menghubungi siapa pun.

Empat tingkat dan kondisi yang mengarah ke masing-masing.
Kondisi buku	Tingkat	Mulai	Waktu
Masih nyaman dibaca, hanya ada kerusakan kecil	Reparasi	Rp 35.000	3–5 hari kerja
Masih terbaca tapi kusam atau kotor, cukup dirapikan	Rekondisi	Rp 45.000	5–7 hari kerja
Kusam dan ingin seperti baru, atau rusak cukup parah pada buku biasa	Restorasi	Rp 85.000	7–10 hari kerja
Rusak cukup parah dan bukunya bernilai sejarah atau antik	Konservasi	Rp 125.000	10–20 hari kerja

Perkiraan, bukan penawaran. Harga akhir tergantung ukuran, jumlah halaman, dan bahan — kirim fotonya dan kami hitungkan gratis.

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Rekaman kerja

Prosesnya, difilmkan

Klik untuk memutar. Videonya baru dimuat dari YouTube setelah Anda menekan play — sebelum itu halaman ini tidak menghubungi server mana pun selain milik kami.

Pekerjaan nyata

Buku yang pernah masuk ke sini

Ons Insulinde — punggung hancur, pelat botani diselamatkan — Ons Insulindepunggung hancur, pelat botani diselamatkan

Ons Insulinde — kondisi punggung sebelum dijahit ulang — Ons Insulindekondisi punggung sebelum dijahit ulang

Ons Insulinde — halaman ilustrasi setelah dibersihkan — Ons Insulindehalaman ilustrasi setelah dibersihkan

Polemik Kebudajaan — dijilid ulang dengan sampul baru — Polemik Kebudajaandijilid ulang dengan sampul baru

Al-Qur'an — jilidan diperbaiki — Al-Qur'anjilidan diperbaiki

Al-Qur'an — bekas plester dibersihkan dari punggung — Al-Qur'anbekas plester dibersihkan dari punggung

Halaman lepas — seluruh blok isi terlepas dari punggung — Halaman lepasseluruh blok isi terlepas dari punggung

Punggung ditandai — panduan jahitan sebelum dijilid ulang — Punggung ditandaipanduan jahitan sebelum dijilid ulang

Foxing — bercak kimia pada kertas tua — Foxingbercak kimia pada kertas tua

Summer in Seoul — tepi sampul aus, sudut tertekuk — Summer in Seoultepi sampul aus, sudut tertekuk

Selongsong pelindung — dibuat khusus untuk library binding — Selongsong pelindungdibuat khusus untuk library binding

Pembersihan kerak — kotoran dan jamur tebal pada sampul — Pembersihan kerakkotoran dan jamur tebal pada sampul

Satu pekerjaan

Mushaf Al-Huda, sebelum dan sesudah

Filmnya dari meja kerja kami sendiri, bukan dari YouTube — halaman ini tidak menghubungi server siapa pun untuk memutarnya, dan tidak mengunduh apa-apa sampai Anda menekan play.

Rekaman meja kerja, 53 detik, dengan kartu sebelum dan sesudah. Adegan terakhir memperlihatkan mushaf terbuka rata dan diam di halaman yang dibuka.

Satu buku, difilmkan dua kali: waktu datang, dan waktu selesai. Yang di antaranya tidak perlu dijelaskan dengan kata-kata.

Yang terlihat di detik-detik terakhir itu ukuran yang kami pakai untuk semua jilidan — buku terbuka rata, dan diam sendiri di halaman yang dibuka. Mushaf yang masih harus ditahan dua tangan setiap kali dibaca, menurut kami, belum selesai dikerjakan.

Kalau buku Anda dalam keadaan serupa, dua pertanyaan di penilaian awal akan memberi tahu tingkat penanganan dan harga mulainya sebelum Anda menghubungi siapa pun.

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Halaman judul Indonesie Vrij karya Mohammad Hatta dengan label koleksi

Standar

Konservasi punya aturan berbeda

Buku ini milik EFEO Indonesia — pidato pembelaan Mohammad Hatta tahun 1928. Untuk koleksi seperti ini bahan harus reversibel, tidak ada yang boleh dibuang, dan setiap langkah dicatat.

Kami anggota International Institute for Conservation of Historic and Artistic Works. Untuk buku yang tidak tergantikan, itu standarnya.

Kenapa kami

Empat alasan orang mengirim ke sini

Meja kerja bengkel Hibrkraft dengan perkakas penjilidan dan sebuah buku tua

Keahlian Mendalam & Standar Internasional

Tim kami adalah anggota resmi IIC (International Institute for Conservation). Kami mengadopsi standar konservasi yang sama dengan museum dan perpustakaan kelas dunia. Setiap treatment menggunakan material archive-grade dan teknik reversible.

Perempuan tersenyum memegang jurnal kulit cokelat bertali

Kami Menyayangi Setiap Buku

Bagi kami, buku bukan sekadar objek. Setiap buku yang datang ke workshop kami membawa cerita, kenangan, dan nilai yang tak tergantikan. Kami memperlakukan buku Anda seperti milik kami sendiri—dengan hormat, hati-hati, dan penuh dedikasi.

Perempuan memegang jurnal kulit merah di depan wajahnya

Proses Transparan, Layanan Nasional

Dari konsultasi awal hingga pengiriman akhir, kami menjaga komunikasi yang jelas dan terbuka. Anda akan mendapat update berkala tentang progress perbaikan. Melayani seluruh Indonesia dengan pengiriman aman dan terjamin.

Paket-paket terbungkus kertas cokelat dengan segel lilin merah

Menjaga Nilai, Menghormati Sejarah

Kami berkomitmen tidak hanya memperbaiki kerusakan fisik, tetapi juga melestarikan nilai emosional, sejarah, dan kegunaan buku Anda untuk generasi mendatang. Setiap keputusan treatment diambil dengan pertimbangan pelestarian jangka panjang.

Foto dua jilidan perkamen berdiri berdampingan, satu bersampul polos dan satu berhias bingkai — Dua jilidan perkamen yang usianya terpaut lebih dari dua ratus tahun, difoto berdampingan pada 1918 — dan keduanya masih berdiri. Ini alasan paling sederhana untuk memperbaiki alih-alih mengganti: buku yang dijilid dan dirawat dengan benar memang bisa berumur sepanjang itu.VELLUM BINDINGS (1674 AND 1878). Mitchell S. Buck, *Book Repair and Restoration*, 1918, hlm. 24. Domain publik, via Project Gutenberg.

Siapa yang mengerjakan

Tangan yang memegang buku Anda

Pekerjaan tingkat Konservasi dikerjakan langsung oleh Ibrahim Anwar, pendiri Hibrkraft, yang menjilid buku pertamanya pada 2011.

Lebih dari 1.000 buku

Sejak 2011, lebih dari seribu buku sudah melewati meja ini. Sebagian besar milik perorangan — buku yang dipakai sehari-hari, dan buku yang tidak tergantikan.

Termasuk kiriman lembaga

ANRI (Arsip Nasional Republik Indonesia) dan EFEO (École française d'Extrême-Orient) pernah mengirimkan pekerjaan ke sini, begitu juga beberapa perpustakaan dan sebuah perpustakaan anak. Lembaga biasanya mengirim banyak buku sekaligus.

Termasuk pidato Hatta 1928

Salah satu koleksi EFEO yang dikerjakan di meja ini adalah Indonesië Vrij — naskah pidato pembelaan Mohammad Hatta di pengadilan Den Haag, 1928. Dikerjakan sendiri, dengan aturan konservasi yang sama: pasta pati, tidak ada yang dibuang, setiap langkah dicatat. Lihat pekerjaan untuk EFEO

Tidak didelegasikan

Untuk tingkat Konservasi, tidak ada bagian yang dilempar ke orang lain. Pengalaman langsung tidak bisa dipinjam — dan buku langka tidak memberi kesempatan kedua.

Satu pekerjaan lagi

Konservasi untuk EFEO

Filmnya dari server kami sendiri, sama seperti yang di atas — tidak ada yang diunduh sampai Anda menekan play.

Pekerjaan konservasi untuk EFEO. 37 detik.

EFEO — École française d'Extrême-Orient — adalah lembaga penelitian yang mengirimkan pekerjaan ke bengkel ini. Rekaman ini dari salah satunya.

Pekerjaan tingkat Konservasi memakai pasta berbahan pati, bukan PVA, supaya sambungannya bisa dibuka kembali tanpa merusak kertas aslinya. Setiap langkahnya dicatat.

Bahan dan cara

Apa yang benar-benar kami pakai

Bukan daftar belanja, tapi alasan tiap bahan dipilih — dan kenapa tingkat Konservasi tidak memakai bahan yang sama dengan tingkat di bawahnya.

Perekat dibedakan per tingkat

Reparasi dan Rekondisi memakai lem PVA — kuat, cepat, dan tepat untuk buku yang dipakai sehari-hari. Konservasi tidak. Di tingkat itu perekatnya pasta berbahan pati, supaya sambungan bisa dibuka kembali tanpa merusak kertas aslinya. Itulah arti "reversibel" di halaman ini, dan itu sebabnya kedua tingkat ini tidak bisa saling menggantikan.

Kertas dan benang

Tisu Jepang untuk menambal sobekan dan menguatkan lipatan; benang linen dan katun untuk jahitan; kraftliner dan kertas linen untuk bagian yang harus menahan beban. Dipilih karena masih bisa dipertanggungjawabkan sepuluh tahun lagi, bukan karena paling murah.

Kertas rapuh dilembapkan dulu

Kertas yang sudah getas akan patah kalau langsung diluruskan. Jadi dilembapkan dulu di ruang tertutup — kantong tersegel untuk satu buku, kotak tersegel untuk beberapa, dan ruang tersegel tersendiri kalau bukunya lebih dari sepuluh. Kelembapan dinaikkan pelan-pelan sampai serat kertasnya mau bergerak lagi.

Setiap langkah dicatat

Di tingkat Konservasi, apa yang dikerjakan dan bahan apa yang dipakai dicatat. Supaya orang berikutnya — mungkin puluhan tahun lagi — tahu persis apa yang pernah dilakukan pada buku itu, dan bisa membatalkannya kalau perlu.

Batas

Yang tidak kami kerjakan

Empat jenis pekerjaan yang kami tolak, dan alasannya. Menolak pekerjaan lebih sering menyelamatkan buku daripada menerimanya.

Jilidan yang masih bagus, lecet sedikit

Buku dengan jilidan standar perpustakaan yang cuma penyok sedikit tidak kami bongkar. Membongkar jilidan yang masih sehat justru memperpendek umurnya. Yang kami tawarkan cuma pelindungnya — kami buatkan cover, bukan jilidan baru.

Buku dengan luka perang

Pernah ada empat buku bekas perang dikirim ke sini. Kami kembalikan tanpa diperbaiki. Kerusakannya bukan cacat yang harus dihapus — kerusakan itu bagian dari sejarah bukunya. Memulihkannya sampai mulus berarti menghapus bukti.

Basah parah sampai halaman menyatu

Kalau air sudah membuat halaman lengket dan menyatu jadi satu blok, kami tidak menerimanya. Memisahkan paksa akan mengangkat permukaan tulisannya. Lebih jujur mengatakan tidak bisa daripada mengembalikan buku yang tinggal serpihan.

Jamur yang masih ringan

Kalau jamurnya belum parah, biasanya kami tidak ambil pekerjaannya. Kami beri tahu apa yang bisa dikerjakan sendiri di rumah dan bagaimana melakukannya dengan hati-hati. Bukunya tidak perlu dikirim ke mana-mana, dan Anda tidak perlu membayar siapa pun.

Kalau ada yang tidak beres

Yang jadi tanggungan kami

Tiga hal yang paling sering dikhawatirkan, dijawab sebelum Anda mengirim apa pun.

Kalau ternyata tidak bisa diperbaiki

Kami beri tahu di tahap konsultasi kalau bukunya kemungkinan tidak tertolong — lengkap dengan foto kondisinya dan opsi alternatif, misalnya stabilisasi minimal untuk penyimpanan. Kalau Anda memutuskan tidak melanjutkan, buku dikembalikan tanpa biaya.

Kalau biayanya meleset dari estimasi

Estimasi awal dihitung dari foto, dan kondisi asli kadang berbeda. Selisih di bawah 20% tetap kami pakai harga awal. Kalau selisihnya signifikan, kami konfirmasi dulu dan minta persetujuan Anda — Anda berhak membatalkan, dan buku kembali tanpa biaya treatment.

Kalau hasilnya tidak bertahan

Jahitan atau binding yang lepas dalam 6 bulan pemakaian normal kami perbaiki gratis. Cacat pengerjaan yang lolos QC juga kami perbaiki tanpa biaya. Foto hasil selalu kami kirim sebelum pengiriman — kalau tidak sesuai, kami revisi.

Sudah cukup meyakinkan?

Kirim foto bukunya sekarang. Sisanya di bawah ini soal bagaimana prosesnya berjalan.

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Perbandingan

Apa bedanya, sebenarnya

Jilidan buku yang longgar dengan halaman mulai terlepas

Reparasi Buku

Untuk kerusakan ringan yang mengganggu fungsi baca. Reparasi adalah layanan paling dasar namun penting. Fokus utamanya adalah membuat buku bisa digunakan kembali tanpa gangguan.

Rekondisi Buku

Untuk buku yang mulai kusam tapi masih ingin dibaca dengan nyaman. Rekondisi bertujuan mengembalikan kondisi baca ke level optimal tanpa mengubah bentuk asli secara drastis.

Kerusakan rayap dan gigitan hama pada halaman buku

Restorasi Buku

Untuk pembaruan menyeluruh agar buku tampak seperti baru. Restorasi adalah layanan untuk buku yang ingin “dihidupkan kembali” secara visual dan fungsional.

Buku dengan kerusakan air, halaman menggelembung dan bernoda

Konservasi Buku

Untuk pelestarian buku bersejarah atau bernilai tinggi. Konservasi adalah layanan paling mendalam. Tujuannya bukan sekadar memperbaiki, tapi menjaga integritas fisik dan sejarah buku untuk generasi mendatang.

Prosesnya

Dari foto sampai buku kembali

01Konsultasi Awal (GRATIS)Hubungi kami lewat WhatsApp di +62 815 1119 0336. Ceritakan kondisi buku Anda dan apa yang ingin Anda pulihkan. Kirimkan beberapa foto untuk penilaian awal. Tim kami akan merespons dalam hitungan jam, bukan hari.
02Penilaian & Estimasi Biaya (GRATIS)Berdasarkan foto yang Anda kirim, tim kami akan:
03Pengiriman Buku ke WorkshopSetelah menyetujui estimasi, kirim buku Anda ke alamat workshop kami. Kami akan memberikan panduan packaging yang tepat untuk melindungi buku selama pengiriman, terutama untuk buku yang sudah rapuh.
04Konfirmasi PenerimaanSaat buku tiba, kami akan:
05Proses PerawatanBuku akan ditangani oleh pengrajin dan konservator berpengalaman. Kami hanya menggunakan:
06Update BerkalaKami akan memberi kabar tentang progres perawatan—mulai dari tahap pengerjaan, estimasi selesai, hingga saat buku siap. Untuk proyek kompleks, kami kirim foto work-in-progress.
07Quality Control & Foto HasilSebelum pengiriman, buku melewati quality control ketat. Kami kirim foto hasil akhir untuk approval Anda sebelum melakukan pengiriman.
08Pembayaran & PengirimanSetelah approval, lakukan pembayaran via transfer bank. Buku akan dikemas dengan perlindungan ekstra dan dikirim ke alamat Anda dengan tracking number.

Pengiriman

Buku Anda dalam perjalanan

Buku dibungkus lapis demi lapis di meja packing Hibrkraft sebelum dikirim kembali

Foto Konfirmasi

Kami kirim foto & video unboxing saat buku Anda tiba di workshop. Anda tahu persis kondisinya saat diterima.

Packaging Khusus

Panduan packaging untuk buku rapuh. Kami juga kirim kembali dengan double protection dan label FRAGILE.

Opsi Asuransi

Asuransi pengiriman tersedia untuk buku bernilai tinggi. Perlindungan ekstra untuk ketenangan pikiran Anda.

Partner Terpercaya

Kami bekerja sama dengan JNE, J&T, SiCepat, dan Paxel untuk memastikan pengiriman aman ke seluruh Indonesia.

Bahan

Yang kami pakai

Lem: pH netral, acid-free, reversible — bisa dilepas tanpa merusak.
Kertas: Acid-free, untuk penyambungan dan lining.
Benang: Linen thread atau benang khusus bookbinding.
Kain: Bookcloth berkualitas untuk cover.
Kulit: Genuine leather untuk restorasi buku kulit.
Pelindung: Archival-grade box untuk penyimpanan konservasi.

Contoh kulit kambing merah tua bertekstur butiran halus, ditempelkan pada halaman buku — Contoh kulit kambing yang ditempelkan langsung ke halaman depan *Leather for Libraries* (1905) — laporan Sound Leather Committee yang menyelidiki kenapa kulit jilidan abad ke-19 cepat membusuk. Salah satu temuannya: *red rot* pada morocco kerap terjadi karena kulit domba dijual sebagai kulit kambing. Membedakan keduanya masih jadi pekerjaan pertama sebelum kami menyentuh sampul.(1.) GOAT. E. Wyndham Hulme, Cyril Davenport, dkk., *Leather for Libraries*, 1905. Domain publik, via Project Gutenberg.

Cakupan

Yang kami terima

Kitab suci: Al-Quran, Injil, Taurat, Weda, dan lainnya.
Buku keluarga: Album foto, diary, buku resep, catatan warisan.
Buku koleksi: Novel langka, komik vintage, buku seni.
Buku akademik: Buku sekolah, diktat kuliah, thesis.
Buku antik: Manuskrip, naskah lama, buku bersejarah.
Dokumen penting: Buku nikah, ijazah dalam bentuk buku.

Perpustakaan, museum, arsip

Kalau bukunya bukan satu, tapi lima puluh

Proyek institusional jalannya berbeda: dinilai per koleksi, dihargai per volume, dan didokumentasikan per eksemplar.

Siapa yang biasanya

Perpustakaan universitas dan sekolah, museum dan arsip, lembaga keagamaan — masjid, gereja, vihara — dan perusahaan yang menyimpan koleksi arsip.

Yang kami tawarkan

Penilaian on-site untuk area tertentu, harga khusus untuk volume besar, serta laporan kondisi dan dokumentasi lengkap per eksemplar.

Yang sudah dikerjakan

Konservasi koleksi EFEO Indonesia, termasuk terbitan tahun 1928. Bahan reversibel, tidak ada yang dibuang, setiap langkah dicatat.

Lihat layanan untuk institusi dan perusahaan

Diagnosis

312 istilah kerusakan dan penjilidan buku

Dua bagian. Pertama diagnosis kerusakan dalam bahasa Indonesia, dikelompokkan menurut tingkat penanganannya. Kedua kamus penjilidan, dikutip apa adanya dari glosarium domain publik.

Reparasi

Dog-eared pages Sudut halaman tertekuk: Bekas lipatan pada sudut halaman yang perlu dipipihkan kembali.AIC BPG Glossary: Dog-eared
Halaman lepas Detached page: Satu atau beberapa lembar halaman terlepas dari binding namun kondisi kertas masih utuh.AIC BPG Glossary: Loss
Sobekan kecil Minor tears: Robekan kurang dari 2cm di tepi halaman atau cover yang dapat ditambal dengan tissue Jepang.AIC BPG Glossary: Tear
Binding longgar Loose binding: Struktur jilidan mulai goyah saat buku dibuka, namun benang/lem belum putus total.Ligatus LoB: spine linings
Spine crack Retak punggung: Garis retakan vertikal pada punggung buku, sering terjadi pada buku softcover tebal.AIC BPG Glossary: Split

Rekondisi

Yellowing Kertas menguning: Oksidasi alami kertas atau paparan sinar UV yang mengubah warna kertas menjadi kekuningan.AIC BPG Glossary: Discoloration
Foxing Bercak coklat: Bintik-bintik coklat kemerahan akibat reaksi kimia logam dalam kertas atau aktivitas jamur pasif.AIC BPG Glossary: Foxing
Dust soiling Kotoran debu: Akumulasi debu yang menghitam pada sisi atas (top edge) atau cover buku.AIC BPG Glossary: Grime
Warped boards Cover melengkung: Hardcover yang melengkung (cembung/cekung) akibat perubahan kelembapan drastis.Ligatus LoB: boards
Worn edges Tepi aus: Lapisan kain/kertas pada sudut cover yang terkelupas hingga terlihat papan karton di dalamnya.AIC BPG Glossary: Abrasion

Restorasi

Broken spine Punggung patah: Punggung buku patah terbelah dua, biasanya blok isi terpisah menjadi beberapa bagian besar.AIC BPG Glossary: Split
Detached cover Cover lepas total: Hardcover terpisah sepenuhnya dari blok isi buku (text block).Ligatus LoB: covers
Major tears Sobekan besar: Sobekan yang melintasi teks atau gambar penting, memerlukan penyambungan serat kertas.AIC BPG Glossary: Tear
Missing pages Halaman hilang: Halaman hilang yang memerlukan reproduksi ulang (faksimili) dan penjilidan kembali.AIC BPG Glossary: Loss
Rodent/Insect damage Kerusakan hama: Lubang gigitan tikus atau jalur terowongan rayap pada kertas dan cover.AIC BPG Glossary: Insect damage

Konservasi

Red rot Pembusukan kulit: Degradasi kimia pada cover kulit asli yang menyebabkannya rapuh menjadi serbuk merah saat disentuh.AIC BPG: Animal Skin and Leather, Red Rot
Acidic deterioration Rapuh asam: Kertas menjadi sangat rapuh dan mudah hancur (brittle) karena kandungan asam tinggi.AIC BPG Glossary: Acidic
Active Mold Jamur aktif: Pertumbuhan jamur yang masih hidup (spora), berisiko menular ke buku lain dan kesehatan manusia.AIC BPG Glossary: Mold
Water damage Kerusakan air: Blok buku yang membengkak, halaman saling menempel (blocking), dan noda air berat.AIC BPG Glossary: Liquid stain

Istilah umum — 293 kata

Kosakata penjilidan dan perawatan buku. Yang bertanda tahun dikutip apa adanya dari glosarium domain publik — Zaehnsdorf (1890) dan Coutts & Stephen (1911); definisinya kata-kata penulisnya sendiri.

Bookbinding Element, 16th century — Copper; cast — 16th century

Bookbinding (Jild-i kitab), 17th century — Leather; stamped and gilded — 17th century

Bookbinding, 14th century — Leather — 14th century

Bookbinding, 13th–14th century — Leather — 13th–14th century

Bookbinding, first half 14th century — Leather; stamped and gilded — first half 14th century

Bookbinding, 16th–17th century — Leather; tooled and gilded — 16th–17th century

Bookbinding, 17th–18th century — Brown leather over pasteboard — 17th–18th century

Bookbinding, 14th century — Leather; tooled, stamped, and gilded — 14th century

Bookbinding, 17th century — Leather; stamped and gilded — 17th century

Bookbinding, 17th century — Leather; tooled, gilded, and painted — 17th century

Dua belas jilid bersejarah dari koleksi akses terbuka The Metropolitan Museum of Art, dirilis CC0.

Adhesive failureLem kering/gagalLem punggung buku yang mengering dan getas sehingga halaman rontok (umum pada paperback tua).Hibrkraft ↗

Advance Copies Or SheetsCopies of a book bound, or in sheets, printed for preliminary notices or for publication in more than one place at a time.1911

Aldine Or Italian StyleOrnaments of solid face without any shading whatever, used by Aldus and other early Italian printers. The ornaments are Arabic in character, and are suitable for early printed books.1911

All-AlongWhen a volume is sewed, and the thread passes from kettle-stitch to kettle-stitch, or from end to end in each sheet, it is said to be sewed “all-along.”1890

All-Over PatternA small pattern constantly repeated.1911

Antique PaperA comprehensive term originally applied to machine-made papers made in imitation of old handmade printing papers, to denote colour and finish. It is now used to describe any bulky paper with a rough surface. The commoner qualities are known as featherweight.1911

Arming PressA species of blocking press used by hand; so called from the use of it to impress armorial bearings on the sides of books.1890

Art PaperA paper with a highly glazed surface, produced by a coating of mineral matter, adapted to half-tone printing.1911

AsteriskA star used by printers at the bottom of the pages meant to supply the places of those cancelled (see also CANCEL).1890

Azured ToolsTools having a series of close parallel lines cut horizontally upon their face, and are so called because the colour blue in heraldry is represented in this manner.1911

Back PagesThose on the left side of an open book.1911

Backing BoardsUsed when backing and for forming the groove. They are made of very hard wood, and sometimes faced with iron; are thicker on the edge intended to form the groove than upon the edge that goes towards the foredge, so that the whole power of the lying press may be directed towards the back.1890

Backing HammerThe hammer used for backing and rounding; it has a broad flat face similar to a shoemaker’s hammer.1890

Backing MachineA machmc for backing books, generally used for publishers' binding and cheap work.1911

Backs-The " back " margin of jxages; that part of the book which is sewn, when bound.1911

Band DriverA blunt chisel used in forwarding, to correct any irregularities in the bands of flexible backs.1890

Band NippersFlat pincers used for nipping up the band in covering.1890

BandingDecorating by means of horizontal stripes, mostly filled with ornament.1911

BandsThe cord whereon the sheets of a volume are sewn. When a book is sewn “flexible” the bands appear upon the back. When the back is sewn so as to imbed the cord in the back, the appearance of raised bands is produced by gluing narrow strips of leather across the back before the volume is covered.1890

BeadingThe small twist formed when twisting the silk or cotton in head-banding.1890

Beating HammerThe heavy short-handled hammer used in beating (generally about 10 lbs.).1890

Beating StoneThe bed of stone or iron on which books are, or were, beaten; now generally superseded by the rolling machine and standing press.1911

Bevelled BoardsVery heavy boards with bevelled edges; used for antique work.1890

Binder'S TitleThe title lettered by the binder on the back of a book. See also " Half title."1911

BindingA trade term for the best work. Applicable to any book well forwarded, lined with marbled or other special paper, silk headbands, and gilt with a narrow roll round the sides and inside the " squares."1911

Binding BookA register in which all books sent to the binder are recorded, with particulars as to lettering, style, colour, etc.1911

Binding Instruction Slip Or SheetA slip or folio sheet on which the instructions for binding a particular book, or books, are written for the binder's guidance.1911

Binding ProofSome rough edges left on a trimmed book, to show that it has not been cut down excessively.1911

BleedWhen a book has been cut down into the print it is said to have been bled.1890

BlockingThe impressing of gold leaf, metal foil, or other graphic media into the book-cover by means of a stamp having a raised surface. The term is also applied to the impressing of type, blocks, etc., without any intervening media, this operation being known as " blind blocking."1911

Blocking PressAnother and more general term for the arming press; one of the chief implements used in cloth work. Used for finishing the side of a cover by a mechanical process.1890

Blocks Or Blocking ToolsAn engraved stamp used for finishing by means of the blocking press.1890

BloomKabut putihLapisan putih seperti lilin/kabut pada permukaan cover kulit atau kain akibat lemak yang muncul ke permukaan.Hibrkraft ↗

BoardsAre of various kinds, each denoting the work it is intended for, such as pressing boards, backing, cutting, burnishing, gilding, etc.1890

BodkinA strong and short point of steel fixed in a wooden handle, for making the holes through the mill-boards. The slips upon the back of the book are laced through the holes for attaching the mill-board to the book.1890

Body Of The WorkThe text or subject-matter of a volume, so called to distinguish it from the preliminary matter, index, notes, etc.1911

BoleA red earthy mineral, resembling clay in character, used in the preparation for gilding edges.1890

BoltThe fold in the head and foredge of the sheets. The iron bar with a screw and nut which secures the knife to the plough.1890

Book-ShrineA box or chest, Tisually (irnamented, in which valuable books were placed.1911

BossesBrass or other metal ornamentations fastened upon the boards of books; for ornament or preservation.1890

BrittlenessKertas getasKondisi kertas yang patah jika ditekuk, biasanya karena tingkat keasaman (pH) yang tinggi.Hibrkraft ↗

BroadsideA large sheet of paper printed on one side.1911

BrochureLiterally, " a stitched work " (from the French " hrocher," to stitch). A short printed work of a few leaves, merely stitched together, and not hound; a pamphlet.1911

Broken claspsPengait rusakKerusakan pada aksesoris pengunci logam (biasa pada Alkitab tua atau album foto).Hibrkraft ↗

Broken OverWhen plates are turned over or folded a short distance from the back edge, before they are placed in the volume, so as to facilitate their being turned easily or laid flat, they are said to be broken over. When a leaf has been turned down the paper is broken.1890

Bundling PressA machine used for bundling and tying up the sheets or sections while under pressure.1911

BurnishThe gloss produced by the application of the burnisher to the edges.1890

BurnisherA piece of agate or bloodstone affixed to a handle, by means of which a gloss is produced on the edges of a book.1911

BurnishersPieces of agate or bloodstone affixed to convenient handles.1890

Calendered PaperPaper with a polished surface jirocured by the passing of the paper through a series of " calenders " or rollers.1911

Cameo BindingA binding having the centre of the boards stamped in relief, in imitation of antique gems or medals.1911

CancelA page, sheet, or other part of a printed book containing errors which are to be cut out and replaced by other printed matter. Such leaves are marked by the printer with an asterisk.1911

CancelsLeaves containing errors which are to be cut out and replaced by corrected pages (see ASTERISK).1890

CapThe envelope of paper used to protect the edges while the volume is being covered and finished.1890

CartoucheAn ornamental shield or tablet, with the edges cut up, perforated and ornamented, used as a field for the title of a book or an inscription.1911

Case-WorkWhen the cover is made independent of the book, the book being afterwards fastened into it. Refers principally to cloth and bible work.1890

CasingThe operation of inserting a sewn book into its " case."1911

Catch-LettersLetters (usually three) placed at the top of pages in dictionaries, gazetteers, etc., those on verso page generally representing the first letters of the first word on that page, and those on recto the first letters of the last word on that page.1911

Catch-WordA word used and seen in early printed books at the bottom of the page, which word is the first on the following page. To denote the first and last word in an encyclopædia or other book of reference.1890

Centre ToolsIndependent tools cut for the ornamentation of the centre of panels and sides.1890

ChequeringTo divide a surface like a chess-board in squares of alternately different ornament or colours, formed by equidistant vertical and horizontal lines.1911

ClaspThe hook or catch used for fastening the boards together when the book is closed; used formerly on almost every book.1890

ClaspsMetal hooks or catches used for fastening the boards of a book (when closed) together. Formerly used extensively, but seldom seen on modern books.1911

Clearing-OutRemoving the waste-paper, and paring away any superfluous leather upon the inside, preparatory to pasting down the end-papers.1890

ClothPrepared calico, sometimes embossed with different patterns, used for cloth bindings.1890

Cloth BoardsBooks bound in cloth-covered cases.1911

CocklingKertas bergelombangPermukaan kertas yang bergelombang/keriting, biasanya terjadi setelah terkena lembab dan kering tidak merata.Hibrkraft ↗

CollateTo examine a book by the signatures, or page by page, to see that the sheets are in proper sequence, and that none are in duplicate or missing.1911

CombAn instrument with wire teeth used in marbling.1911

CombsInstruments with wire teeth used in marbling.1890

Corner bumpingSudut tumpulSudut hardcover yang penyok atau tumpul akibat benturan atau jatuh.Hibrkraft ↗

CornersThe triangular tools used in finishing backs and sides. The leather or material covering the corners of half-bound books. The metal ornaments used usually in keeping with clasps.1890

CreaserThe tool used in marking each side of the bands, generally made of steel.1911

CroppedWhen a book has been cut down too much it is said to be cropped.1890

CrownA sheet of paper, 20 by 15 inches. Foho, 15 by 10; quarto, 10 by yh', octavo, yh by 5.1911

CumdachA rectangular box (usually made of bronze, brass or wood, and plated with silver or gold which was ornamented) which was made for the preservation of precious books. Also called book-shrine. CUT DOWN (AND UP).— When a plough-knife dips downward out of the level it is said to " cut down," and vice versa, " cut up."1911

CushionA leather cushion on which the gold leaf is cut.1911

Cut DownWhen a plough-knife dips downward out of the level it is said to “cut down”; on the contrary, if the point is out of the level upwards it is said to “cut up.”1890

Cutting PressThe " lying press " turned so that the side with the runners is uppermost.1911

Damaged gilt edgesTepi emas rusakLapisan emas pada sisi buku yang tergores atau memudar.Hibrkraft ↗

Date LabelA label to show dates of issue or return, generally attached by a thin line of paste to the front fly-leaf of lending library books.1911

Deckle EdgeThe rough or raw edge of paper; specifically the ragged edge of hand-made paper produced by the " deckle " or frame of the mould on which the paper is made.1911

DentelleAs the word expresses. A style resembling lace work, finished with very finely cut tools.1890

DiaperA pattern consisting of a simple figure constantly repeated in geometrical form; the pattern may consist of figures separated by the background only, or of com228 MANUAL OF LIBRARY BOOKBINDING partments constantly succeeding one another, and filled with a design1911

DieAn engraved stamp used for stamping a design.1911

Divinity CalfA dark brown calf used generally for religious books, and worked in blind or antique.1890

Dork A Petits FersSmall hand tools used in gilding and binding.1911

DotjbledIn finishing, when a tool is worked a second time and not placed exactly in the original position, it is said to be " doubled."1911

DoubledWhen in working a tool a second time it is inadvertently not placed exactly in the previous impression, it is said to be “doubled.”1890

DoublureThe inside face of the boards, especially applied to them when lined with leather or silk and decorated.1911

Dummy CopyA book composed of blank leaves made up to enable publishers and bookbinders to estimate their requirements.1911

EadingThe small twist formed when winding the cotton or silk in head-banding.1911

Edge-RolledWhen the edges of the boards are rolled, either in blind or in gold.1890

EmbossingThe act or process of producing raised figures or designs upon surfaces by means of sunken dies, the material being interposed between the sunken die and the raised counterpart. END-PAPERS,1911

End-PapersThe papers placed at each end of the volume and pasted down upon the boards.1890

Fanfare BindingsA temi derived from the title of a book bound for Charles Nodier by Thouvenin having fanfare for the principal word. The style consists of geometrical compartments formed by interlaced fillets, the intervening spaces being filled in with sprays of palm and laurel, and other foliated ornaments.1911

FeintA ruling term used to denote that the paper is ruled with faint cross lines.1911

FilletA cylindrical tool used in finishing, upon which a line or lines are engraved.1890

FinisherA person engaged in the work of " finishing."1911

FinishingThe department that receives the volumes after they are put in leather. The ornaments placed on the volume. The person who works at this branch is termed a finisher.1890

Finishing PressA small press, used for holding books when being finished.1890

Finishing StoveA heating box or fire used for warming the various tools used in finishing.1890

FlexibleWhen a book is sewn on raised bands, and the thread is passed entirely round each band. It is the strongest sewing done at the present time. This term is often misused for limp work, because the boards are limp or flexible.1890

Fly-TitleThe half-title in front of the general titlepage, or that dividing sections of a work.1911

FolderA flat piece of bone or ivory used in folding sheets, and in many other manipulations; called also a folding stick. A female engaged in folding sheets.1890

Folding MachineA machine invented to fold sheets, generally used in newspaper offices.1890

FolioA sheet of paper folded to form two leaves or four pages.1911

FormatThe size and shape of a book, e.g., octavo, quarto, etc.1911

ForwardingThe branch that takes the books after they are sewed, and advances them until they are put into leather ready for the finisher. The one who works at this branch is called a forwarder.1890

FountThe complete number of letters, etc., constituting a set of type.1911

French JointA joint formed by keejnng boards a short distance from the back, splitting boards and placing tapes between, allowing greater play at hinge and permitting the use of a much thicker leather than otherwise.1911

FrontispieceThe plate or illustration facing the titlepage of a book.1911

Full-BoundWhen the sides and back of a volume are covered with leather it is said to be full-bound.1890

GatheringCollecting the several sheets when folded, and arranging them in sequence according to the signatures. Machines for doing this work are called gathering machines.1911

Gauffre EdgesSee Edges. GAUGE. — The tool used in forwarding to take the correct size of the book, and to mark it upon the boards for squaring.1911

GiltApplies to both the edges and to the ornaments in finishing.1890

Gilt TopSee Edges. GLAIRE. — An adhesive substance (made by beating up the white of eggs) used to retain gold in finishing and edge gilding.1911

Gold CushionA cushion for cutting the gold leaf on.1890

Gold KnifeThe knife for cutting the gold; long and quite straight.1890

GougeA tool used in finishing; it is a line forming the segment of a circle.1890

Graining BoardsBoards used for producing a grain on calf and russia books. Grain of various form is cut in wood, and by pressure the leather upon which the boards are laid receives the impression.1890

GroovesThe projections formed on the sides of books in backing, to allow the boards to lie even with the back when laced in.1911

GuardsStrips of paper inserted in the backs or books intended for the insertion of plates, to prevent the book being uneven when filled; also the strips upon which plates are mounted.1890

GuidesThe groove in which the plough moves upon the face of the cutting press.1890

GuillocheAn ornamental pattern composed of intersecting curved lines.1911

GuillotineA machine for cutting paper, with a knife having a perpendicular action.1911

Guinea-EdgeA roll with a pattern similar to the edge of an old guinea.1890

Gutter splitSobekan tengahKertas sobek tepat di bagian tengah/lipatan buku, sering terjadi pada buku musik atau atlas.Hibrkraft ↗

Half-BoundWhen a volume is covered with leather upon the back and corners; and the sides with paper or cloth.1890

Half-TitleThe short title preceding the full title-page. Also termed " Bastard title." HAND (OR HANDLE)1911

Hand-LettersLetters fixed in handles; used singly for lettering.1890

Head-BandThe silk or cotton ornament worked at the head and tail of a volume, as a finish and to make the back even with the boards.1890

Head-CapThe fold of leather over the head-band.1911

Headcap damageKerusakan kepala punggungBagian atas spine yang sobek/hilang karena kebiasaan menarik buku dari rak menggunakan jari telunjuk.Hibrkraft ↗

Hinge repairPerbaikan engselKerusakan pada area lipatan pertemuan antara cover dan blok isi buku (bagian dalam).Hibrkraft ↗

HoleingPiercing the boards with a bodkin for the slips to pass through.1911

Hollow BackA book bound with the leather, cloth, or other material attached at the joints, and not fastened to the back of the book itself.1911

Hydraulic PressA press used in edition binding. operated by the pressure of a liquid under the action either of gravity or of some mechanical device, as a force pump.1911

ImperfectionsSheets rejected on account of being in some respect imperfect, and for which others are required to make the work complete.1890

In BoardsWhen a volume is cut after the mill-boards are attached, it is said to be cut in boards.1890

India PaperA fine paper used for engravers' proofs.1911

India-RubberedBooks composed of single plates or leaves are sometimes coated at the back with a solution of indiarubber in lieu of guarding or overcasting.1911

Ink/Oil StainsNoda Tinta/MinyakNoda asing yang meresap ke dalam serat kertas. Penanganan tergantung jenis pelarut yang aman bagi kertas.Hibrkraft ↗

Inlaying Or OnlayingAdding a different leather from that of the cover for decorative purposes.1911

InsetThe inner pages of a sheet, cut off in folding certain sizes; to be inset in the centre of the sheet.1890

Inside MarginsThe border made by the turn-in of the leather on the inside face of the boards.1911

InterlacingOrnament composed of bands, etc., woven together.1911

InterleafAn extra leaf, usually blank, inserted between the regular leaves of a book.1911

Jansenist StyleApplied to bindmgs devoid of ornamentation on the outside of the covers, sometimes having, however, elaborately tooled doublures. The name is taken from Jansenius, Bishop of Ypres, who avoided the decoration of the altar.1911

Japanese VellumA costly hand-made Japanese paper, manufactured from the inner bark of the mulberry tree, having a vellum surface.1911

Japon VellumA British made substitute for Japanese vellum.1911

JointsThe projection formed in backing to admit the mill-boards. The leather or cloth placed from the projection on to the mill-board is called a joint.1890

Kettle-StitchThe chain-stitch which the sewer makes at the head and tail of a book. A corruption of either chain-stitch, or catch-up stitch.1890

KeysLittle metal instruments used to secure the bands to the sewing press.1890

Knocking-Down IronA piece of iron having a small leg in the centre by which it is secured in the lying press. When fastened there it is used to pound or beat with a hammer the slips into the boards after they are laced in, so that they do not show when the book is covered.1890

Lacing-InAttaching the boards by the operation of passing the slips, on which the book is sewn, through holes pierced in the boards.1911

Large-Paper EditionCopies of a work printed on paper with wide margins.1911

Law CalfLaw books are usually bound in calf left wholly uncoloured, hence the term for white calf.1890

Lay CordsThe cords, stretched on the sewing frame, to which the sheets of a book are sewn.1911

LeatherettePaper or cloth having a surface in imitation of leather.1911

Lettering BlockA piece of wood, the upper surface being slightly rounded, upon which side labels are lettered.1890

Lettering BoxA wooden box in which hand-letters are kept (see HAND-LETTERS).1890

LettersLetters fixed in handles, and used singly for lettering.1911

Lining-PapersThe coloured or marbled paper at each end of the volume. Called also end-papers.1890

Loose signaturesSeksi longgarSatu kumpulan lipatan halaman (kurras) yang benang jahitnya putus sehingga mau terlepas dari blok buku.Hibrkraft ↗

LushA book having its cover and edges quite even, the cutting operation having been done after the cover (usually paper boards or limp cloth) had been attached to the book. CUTTER,1911

Magazine CaseA cover for periodicals, usually having some contrivance for holding the magazine — cord, rod, etc. Also called " Periodical case " and " Reading case."1911

MarblerOne who marbles the edges of books and paper.1890

MarblingThe art of floating various colours on a size, from which it is transferred to paper or book edges. To stain or vein leather like marble.1890

Marking-UpWhen the back of a book is being marked for flexible sewing.1890

Mill-BoardThe boards that are attached to the book. Various kinds are in use now; the most common is made of straw, the best of old naval cordage.1890

MillboardLarge scissors used for cutting and squaring millboard. SHEETS, IN. — Sheets not folded, or if folded not bound.1911

Millboard MachineA machine used for cutting and squaring boards. The edge cut by this machine is not so square as that cut by the plough, and it should, therefore, only be used for cheap work.1911

Missing endpapersKertas katan hilangHilangnya kertas polos yang menempelkan blok buku ke cover bagian dalam.Hibrkraft ↗

Missing ribbonsPita pembatas hilangPita penanda halaman yang putus atau tercabut dari punggung buku.Hibrkraft ↗

MitredWhen the lines in finishing meet each other at right angles without overrunning each other, they are said to be mitred. Joined at an angle of 45°.1890

MosaicA decoration formed by inlaying small pieces of leather of various colours to form a pattern.1911

MullA thin loosely woven cotton cloth glued on to the backs of books to help to hold the sections together. Known as " Super " in America.1911

Mutton-ThumperAn old term indicating a bad workman.1890

Mutton-ThumpingA term used in bygone days, indicating the common binding of school books in sheep-skin.1890

NetworkA design made of intersecting lines forming squares set lozengewise.1911

Ng The Head-BandAdjusting the leather hi covering so as to form a kind of cap to the head-band.1911

Oard PapersThe parts of the end-papers which are pasted to the boards.1911

Off-SetThe impression made by the print against the opposite page, when a book has been rolled or beaten before the ink be dried. (Also SET-OFF.)1890

Or Cutting MachineThe machine by which the edges of the leaves of books are cut or trimmed. See also Rotary Cutting Machine.1911

Or Lining-PapersThe sheets placed at the beginning and end of a volume, half of each being pasted down upon the boards. Some end-papers are blank, others are coloured or printed, and others are marbled.1911

Out Of BoardsWhen a volume is cut before the boards are affixed, it is done out of boards. Nearly the whole of common work is done out of boards.1890

OvercastingAn operation in sewing, when the work consists of single leaves or plates. Over-sewing.1890

PalletThe tools used for finishing across backs.1890

PanelA compartment of the external cover of a book enclosed in a border or frame; also the space between two bands on the back of a book.1911

Papering-UpCovering the edges after they are gilt, to protect them while the volume is being covered and finished (see CAP).1890

ParingReducing the edges of the leather by forming a gradual slope.1890

PeelA wooden instrument used to hang up damp sheets for drying.1890

PencilA small brush of camel’s hair used for glairing.1890

PiecedAny space that has another leather upon it, as a lettering piece.1890

PlateAn illustration printed from a plate. Term often incorrectly applied to illustrations printed from woodcuts. Any full-page illustration printed on different paper to that of the book is usually called a " plate."1911

PloughThe instrument used for cutting the edges when the book is in the lying press.1890

PocketA slip or small envelope pasted on to the inside of the front (or back) board of a book, to form a pocket for the book-card. The envelope made to receive loose maps, etc.1911

Pointille StyleThe style associated with the name of Le Gascon ; the designs are worked in innumerable gold dots.1911

PointsSmall holes made in the sheets during the printing process which serve as guides in registering when the sheets are folded by machinery.1911

PolaireThe leather cases or satchels in which the ancient monks placed their books.1911

PolisherA steel instrument for giving a gloss to the leather after finishing.1890

PolytychA codex consisting of several leaves.1911

PressOf various kinds, viz.: lying, cutting, standing, blocking, finishing, etc.1890

Press PinA bar of iron used as a lever for standing presses; a smaller kind for lying presses.1890

PressesThese are of several kinds, namely, lying, cutting, standing, blocking, and finishing presses. The frame on which a book is sewn is called a " sewing press."1911

Pressing BlocksBlocks of wood used for filling up a standing press when there are not enough books.1890

Pressing BoardsBoards used for pressing books between.1890

Pressing PlatesPlates of metal japanned or nickelled, used for giving finish to the leather on a book.1911

ProofThe rough edges of certain leaves left uncut by the plough, are “proof” that the book is not cut down (see also WITNESS).1890

Publisher'S BindingThe original cover of a book, generally cloth-cased work. .1911

PulledWhen a book is cut from its cover and all the sheets are separated.1911

Quarter-BoundA book with leather back and cloth or paper sides.1911

QuireTwenty-four sheets; also, a set of all the sheets required to make one complete book.1911

RaspedThe sharp edge taken off mill-boards.1890

Re-CasingThe re-insertion of a book into its original cover, with or without re-sewing.1911

RectoThe right-hand jiage of a book; always the odd page.1911

RegisterThe ribbon placed in a volume for a marker. A list of signatures attached to the end of early-printed books for the use of the binder. In printing—when on looking through a leaf the print on the recto and verso is not exactly opposite, it is said to be out of register.1890

Rol'NdingThe term applied to the process of rounding the back of a book, to prevent an objectionable concave form.1911

RollA hand-tool having a brass wheel on the circumference of which is engraved a pattern which reproduces itseh as the wheel is rolled over the leather.1911

Rolling MachineA machine introduced to save the labour of beating, the sheets being passed between two revolving cylinders.1890

RollsCylindrical ornamental tools used in finishing.1890

Rotary Cutting MachineA machine for cutting millboards and strawboards which has a series of circular cutters.1911

Rounding And Backing MachineA machine that rounds and backs books by one continuous operation.1911

Roxburghe BindingPlain leather back, no raised bands, lettered in gold near the top, cloth or paper sides, leaves gilt at top, otherwise unopened.1911

Run-UpWhen the back has a fillet ran from head to tail without being mitred at each band, it is said to be “run-up.”1890

RunnerThe front board used in cutting edges.1890

RwarderA person engaged in the work of " forwarding."1911

Sawing MachineA machine for sawing the backs of books quickly.1890

Sawing-InWhen the back is sawn for the reception of the cord in sewing.1890

Sawtng MachineA machine which does the work of sawing-in." 240 MANUAL OF LIBRARY BOOKBINDING1911

Set-OffPrint is said to " set-off " when part of the ink from a page is impressed on the opposite page. This will happen as a result of rolling or beating while the ink is damp. Sometiines termed " off-set."1911

Setting The Head-BandAdjusting the leather in covering so as to form a kind of cap to the head-band.1890

SewerThe person who sews the sheets together on the sewing press—generally a female.1890

SewingThe operation of fastening together with thread or wire the sections of a book. The process is distinct from stabbing and stitching.1911

Sewing MachineA recent invention for the sewing of books with wire and thread.1890

Sewing PressA frame, consisting of a board having on one side two upright columns, connected at the top by a cross-piece, between which and the base are stretched tapes or cords to which the sections of a book are successively sewed.1911

Shaving TubThe paper cut from the edges of a volume are called shavings. The receptacle into which they fall while the forwarder is cutting is termed the shaving tub.1890

ShearsLarge scissors used for cutting up mill-boards.1890

SheepAn old term for all common work covered in sheep-skin.1890

SignatureThe letter or figure under the footline of the first page of each sheet, to indicate the order of arrangement in the volume.1890

Silverfish damageKerusakan gegatLubang-lubang kecil tak beraturan pada permukaan kertas akibat dimakan serangga gegat (silverfish).Hibrkraft ↗

SizeA preparation used in finishing and gilding, formerly made with vellum, but can now be bought ready for use. When used on paper a thin solution of glue.1890

Size CopyA dummy of blank paper to show size of bound book. ;1911

SlipsThe pieces of twine that project beyond the back of the volume after it is sewn.1890

SpottingAs powdering, but with a geometric basis, the ground occupying larger space than the ornament.1911

SquaresThe portions of the boards that project beyond the edges after the book is cut.1890

StabbingThe binding together of one or more sections with wire or thread passed vertically through the left-hand side of the folded sheets. Piercing the boards with a bodkin for the slips to pass through is sometimes termed " stabbing."1911

Stabbing MachineA small machine used for making the holes through the backs of pamphlets.1890

StampAn engraved block, die or the like, upon which is cut the design for the sides or back of a book.1911

Standing PressA fixed heavy press with a perpendicular screw over the centre.1890

StartWhen any of the leaves are not properly secured in the back, and they project beyond the others, they are said to have started. When the back has been broken by forcing the leaves they start.1890

StiffenerA thin mill-board used for various purposes.1890

StitchingThe operation of passing the thread through a pamphlet for the purpose of securing the sheets together.1890

StopsSmall circular tools, adapted to “stop” a fillet when it intersects at right angles; used to save the time mitringmitreing would occupy.1890

Straight-EdgeA small board having one edge perfectly straight.1890

Sub-TitleA bastard, fly, or half-title placed before the lull title page.1911

TackySticky. TAG. — A small label pasted to the back of a library book, on which the call number or classification symbol is written or printed. 242 MANUAL OF LIBRARY BOOKBINDING1911

Tape damageKerusakan selotipNoda kuning lengket atau kering akibat penggunaan selotip biasa untuk menambal sobekan di masa lalu.Hibrkraft ↗

Tenon SawA small saw used by bookbinders for sawing the books for sewing. More strictly speaking a carpenter’s tool.1890

Three-Quarter BoundWhen the leather is attached to the back and a fairly large portion of the sides and corners of a book it is said to be " three-quarter bound."1911

Thrown OutMaps, tables, or diagrams likely to be much consulted during the reading of a book, are sometimes " thrown-out " by the binder. This is done by making the " guard " the size of the page and pasting in at end of book, so that the map, etc., may remain in view during reading. TICKET (French, ETIQUETTE).— The small label bearing the binder's name, sometimes affixed to the inner boards.1911

TidelinesGaris batas airGaris noda kecoklatan yang tertinggal di kertas setelah air menguap/kering.Hibrkraft ↗

TiesSilk, leather, cord, or other slips are sometimes attached to the boards of books for decorative purposes, or to prevent sagging; their use is justified only in the case of thick volumes, containing many folded maps or plates, which are liable to sag.1911

Tight BackThe cover of leather or other material pasted or glued to the back of the book, so that it does not become hollow when open.1911

TippingWhen a single leaf is pasted on to a section of a book it is said to be " tipped in."1911

TitleThe space between the bands upon which the lettering is placed. The leaf in the beginning of a book describing the subject.1890

ToolThe metal implement on which is cut the ornament or part of ornament which is to be transferred to the book-cover.1911

ToolingThe ornamentation obtained by impressing the heated tools on the covering material.1911

ToolsApplied particularly to the hand stamps and tools used in finishing.1890

Torn dust jacketJaket buku sobekKerusakan pada sampul kertas lepas pelindung hardcover.Hibrkraft ↗

TrimmingShaving the rough edge of the leaves of a book that is not to be cut.1890

TriptychA codex consisting of three leaves, hinged or tied together.1911

TubThe stand which supports the lying emd cutting press. Originally an actual tub to catch the shavings.1911

Turning-UpThe process of cutting the foredge in such a manner as to throw the round out of the back until the edge is cut. All books that are cut in boards have a pair of trindles thrust between the boards and across the back to assist the operation.1890

Two Sheets OnThe niethocl of sewing books when two sections are treated as one. In hand-sewing two sheets at a time are placed on the sewing-frame ; the thread is passed from the kettle-stitch of the lower section, and brought out at the first tape or cord, when it is inserted in the upper section, and so on. In hand-sewing or machine-sewing by this method two sections only receive the same number of stitches as one sheet would do by the " all along" method.1911

Tying-UpThe tying of a volume after the cover has been drawn on, so as to make the leather adhere better to the sides of the bands; also for setting the head-band.1890

TypeMetal letters used in printing and lettering.1890

Type-HolderAn instrument for holding the type when used for lettering.1890

Uncut EdgesSee Edges. UNOPENED. — A book is said to be unopened when the bolts or folds of the sheets are uncut.1911

Ut Of BoardsWhen a volume is cut before the boards are affixed.1911

VarnishUsed as a protection to the glaire when polished on the covers of books.1890

VolumeA book distinguished from other books or volumes of the same work, by having its own title, paging, and register.1911

WasteThe advertisement sheets, etc., generally to be 244 MANUAL OF LIBRARY BOOKBINDING found at the beginning and end of serial publications, are termed " waste."1911

WatermarkThe wire-mark or design in a sheet of paper to distinguish the maker or mill, consisting of a semi-translucent name or device seen when the paper is held against the light.1911

Waterproof SheetsSheets of celluloid such as are used by photographers.1911

WhippingAnother term for overcasting, but when longer stitches are made.1890

Whole BoundA book wholly covered with one piece of the same material. Also termed " Full bound."1911

Wire StitchingThe fastening of a single section with wire driven through the centre of the fold and clinched.1911

WitnessWhen a volume is cut so as to show that it has not been so cut down, but that some of the leaves have still rough edges. These uncut leaves are called “Witness” (see PROOF).1890

Wtre SewingSewing the sections of a book with wire staples driven through the centre of the sections and through tapes, canvas or muslin, to which the staples are clinched.1911

XtraIn the best manner: coloured end leaves, double head-bands, etc.1911

Ying PressA small portable press of wood in which pressure is given at the ends of two stout square blocks by two large wooden screws. The under side of the cutting press, used in backing. Erroneously called a " laying press."1911

Sumber

Definisi di atas ditulis oleh Hibrkraft. Istilahnya mengikuti kosakata standar konservasi internasional, dan tiap entri ditautkan ke sumbernya supaya bisa Anda periksa sendiri. Kamus penjilidan dikutip utuh dari karya-karya di bawah ini.

BPG Animal Skin and Leather — American Institute for Conservation — Book and Paper Group (AIC Wiki). free to read online
BPG Glossary of Terms — American Institute for Conservation — Book and Paper Group (AIC Wiki). free to read online
Book repair and restoration: a manual of practical suggestions for bibliophiles — Mitchell Buck (1918), Nicholas L. Brown, Philadelphia. full text, free
Language of Bindings Thesaurus — Ligatus, University of the Arts London / University of Edinburgh. free to read online
Manual of Library Bookbinding, practical and historical (Glossary of terms used in bookbinding and allied industries) — Henry T. Coutts and George A. Stephen (1911), Libraco, London.
Procedures for salvage of water-damaged library materials — Peter Waters (1975), Library of Congress. free to borrow
The Art of Bookbinding: a practical treatise — Joseph W. Zaehnsdorf (1890), George Bell and Sons, London.

Pertanyaan

12 hal yang paling sering ditanya

Apakah saya harus datang langsung ke Cileungsi? Atau bisa kirim dari luar kota?: Anda tidak perlu datang langsung. Hibrkraft melayani seluruh Indonesia, dari Sabang sampai Merauke. Prosesnya:
Apa perbedaan Reparasi, Rekondisi, Restorasi, dan Konservasi?: Perbedaannya terletak pada tingkat kerusakan dan tujuan perbaikan:
Bagaimana cara mengetahui biaya perbaikan buku saya? Apakah konsultasi berbayar?: Konsultasi dan estimasi biaya di Hibrkraft 100% GRATIS dan tanpa kewajiban. Caranya:
Bagaimana jika buku saya ternyata tidak bisa diperbaiki?: Kami akan memberitahu Anda di tahap konsultasi jika buku kemungkinan tidak bisa diperbaiki. Namun dalam pengalaman kami, hampir semua buku bisa diselamatkan dalam tingkat tertentu.
Bagaimana jika biaya akhir lebih mahal dari estimasi awal?: Estimasi awal kami berdasarkan foto yang Anda kirim. Kadang kondisi sebenarnya bisa berbeda setelah pemeriksaan fisik langsung.
Apakah aman mengirim buku berharga via ekspedisi?: Kami paham kekhawatiran ini. Berikut jaminan keamanan kami:
Berapa lama proses perbaikan buku?: Waktu pengerjaan tergantung jenis layanan:
Buku apa saja yang bisa diperbaiki di Hibrkraft?: Kami melayani berbagai jenis buku:
Apakah Hibrkraft melayani perbaikan buku dalam jumlah banyak untuk perpustakaan atau institusi?: Ya, kami berpengalaman menangani proyek institusional:
Material apa yang digunakan Hibrkraft untuk perbaikan buku?: Kami hanya menggunakan material berkualitas tinggi sesuai standar konservasi internasional:
Apa itu IIC dan mengapa penting?: IIC (International Institute for Conservation of Historic and Artistic Works) adalah organisasi internasional untuk profesional konservasi. Keanggotaan IIC menunjukkan:
Apakah ada garansi untuk hasil perbaikan?: Ya, kami memberikan garansi untuk setiap pekerjaan:

Perpustakaan

Tiga buku sebelum Anda memutuskan

Sebagian besar buku yang sampai ke meja kami sudah lebih rusak daripada saat pemiliknya menyadari ada yang salah — biasanya karena ditolong dengan cara yang keliru. Ketiga buku ini menjelaskan cara mengenali, merawat sementara, dan memilih tingkat perbaikan. Bisa dibaca langsung di peramban, gratis.

Atlas visual

Atlas Kerusakan Buku

Mengenali kerusakan dari wujudnya, sebelum menyentuh apa pun. Foxing, jamur, kertas rapuh, halaman lepas — apa namanya, apa penyebabnya, dan apa yang memperburuknya.

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Sebelum dikirim

Merawat, Mengemas, Mengirim

Merawat seadanya, memotret, mengemas, dan tahu kapan berhenti menyentuh. Yang paling sering merusak buku adalah pertolongan pertama yang keliru.

PDF · A5 · 120 halaman · 9,7 MB

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Beda tingkat

Empat Tingkat Perbaikan Buku

Reparasi, rekondisi, restorasi, konservasi — dan apa yang hilang di tiap tingkat. Menentukan tingkat lebih dulu membuat harga dan hasilnya bisa diperkirakan.

PDF · A5 · 131 halaman · 10,6 MB

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Berkas terbuka di peramban Anda, tidak langsung terunduh ke penyimpanan. Semuanya berbahasa Indonesia, ukuran A5, dan boleh dicetak untuk keperluan sendiri.