binding slip

norm: binding slip

text: A card, slip, sheet, or other form of written instructions sent to the bindery with each volume, or set of volumes, specifying the binding requirements for that volume or set. The typical binding slip generally specifies the author (if any), title (sometimes binding specifications abbreviated), classification number, other bibliographical information, binding style (unless previously agreed upon), color of covering material, as well as any peculiarities of the book that should be brought to the attention of the binder, such as margins, condition of the paper, foldouts, loose material (for pockets), etc. A multiple form provides identical copies for the binder, as well as the library, and serves as verification for the work specified.


binding specifications

norm: binding specifications

kind: definition

letter: B

letter_raw: B

text: The description of the materials, manufacturing processes, and standards of workmanship to be employed in binding books for a library or similar institution. Material specifications include the quality and weight (or size) of thread, paper, cloth (or leather), adhesives, mending tissues, gold, foil, inks, etc., of such things as endpapers, guards, stubs, hinges, inlays, linings, tapes, sewing thread. covering materials, and the like. Manufacturing specifications include collation, preparation for sewing, special checking, reinforcing, removing back folds, scoring, construction and attachment of endpapers, trimming, gluing-up, blocking, casing-in, inspection, etc. Workmanship specifications include sewing, rounding and backing, adhesion of materials, turn-ins, squares, corners, trimming and the like. Specifications, it should be noted, are not intended to instruct the binder in how to bind a book, but only to insure an acceptable end product.

siglum: RE

author: Roberts, Matt T.; Etherington, Don

work: Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology

rights: US Government publication (Library of Congress), published openly in electronic edition by CoOL. Not a Gutenberg/pre-1930 public-domain text -- verify rights before reprinting rather than quoting.

rights_tier: us-government-flagged

citations: American Library Association. Library Technology Program. Development of performance standards for binding used in libraries, phase 11. Chicago. American Library Association. (L. T. P. publications no. 10). 1966.

citations: Bailey, Arthur Low. Library bookbinding. New York. Wilson. 1916.

citations: Cockerell, Douglas. Bookbinding, and the care of books; a textbook for bookbinders and librarians. 5th ed. London. Pitman. 1971.


binding variations

norm: binding variations

text: Differences in the bindings of books issued in the same edition by a publisher. The differences might include color or type of cloth, blocking, etc. Such variations may stem from a number of manufacturing causes, especially if all copies printed are not bound at the same time, or some are rebound, as in REMAINDER BINDING. Variations may also result from unsatisfactory storage conditions.

citations: Carter, John. A B C for book collectors. 5th ed. London. Hart Davis. 1972.

citations: Harrod, Leonard Montague. The librarians' glossary of terms used in librarianship and the book crafts, and reference book. 3rd ed. London. Deutsch. 1971.


birch (bark)

norm: birch (bark)

text: The bark of the common European birch (Betula verrucosa) or (B. pubescens), used in leather manufacture, particularly in Russia, for hundreds of years. The outer bark, which peels off easily, is not used; it is the inner bark from which the tannin, in the amount of 10 to 15%, and 11% soluble non-tans, is extracted. Older trees, those 50 to 60 years of age, yield the richest tannin. Used alone, birch produces a pliable, leather of a yellowish-brown color; it is, however, more often mixed with some other tannin, often willow bark. In addition to tannin, the oil obtained from the bark is used to dress the leather, imparting to RUSSIA LEATHER its characteristic odor. Other species of birch have been used to a limited extent in North America and India. See also: VEGETABLE TANNINS.

citations: Frank Norman. Howes, Frank Norman. Vegetable tanning materials. London. Butterworth. 1953.


birch broom

norm: birch broom

text: A "broom" made of strips of birch wood and used for stirring the MARBLING SIZE. A birch broom has been the traditional implement for this operation, but whether it was because of the quantities of water used, the screening action of the birch strips, or some other reason, is not clear.

citations: Crane, W. J. E. Bookbinding for amateurs…New York. Scribner. 1903.

citations: Town, Laurence. Bookbinding by hand, for students and craftsmen. New York. Pitman. 1950 (1951).


bite

norm: bite

text: 1. The ability of an adhesive to penetrate or dissolve the uppermost layer of the adherends. 2. That quality in paper which causes it to take ink, pencil, or printing impressions readily. 3) In engraving, the corrosion of the metal by acid, i.e., the action of acid dissolving away superfluous metal.

citations: Gaylord Brothers. Firm. Bookcraft…, by Donald M. Kidd, Syracuse. Gaylord Bros. 1941.

citations: Gazurian, Johnny A. The advertising & graphic arts glossary. Los Angeles. Los Angeles Trade-Technical College. 1966.


BITE

text: If the frisket is not sufficiently cut aw4`ay, but covers some part of the form, so that it prints on the frisket, it is called a <i>Bite</i>.—M. It interposes between the form and the paper to be printed on, and prevents the latter receiving the inked impression intended to be transferred to it. A pressman looks carefully over his first sheet to see that all is right, and if there be a bite he cuts it out of the frisket with his scissors; if one should at first escape his eye, it is cut out as soon as it is perceived.

siglum: DAP

author: Savage, William

work: A Dictionary of the Art of Printing

rights: Public domain (Project Gutenberg, pre-1930 text)

rights_tier: public-domain


bite

text: An irregular white spot on the edge or corner of a printed page, caused by the frisket not being sufficiently cut out.

siglum: AMP

author: MacKellar, Thomas

work: The American Printer: A Manual of Typography


bites

norm: bites

text: An informal expression sometimes used to indicate pieces of paper torn from the margin of a leaf, so-called because of their occasional resemblance to "bites."


black book

norm: black book

text: An obsolete term applied to any of the various books, usually of a devotional nature, so-called from the style of their type, the color of their bindings, the nature of their contents, or combinations thereof. They also frequently had BLACK EDGES.

citations: Porte, Roy Trewin. Dictionary of printing terms. 4th ed. Salt Lake City. Porte. 1941.


black edges

norm: black edges

text: The edges of a book that have been blackened by sponging them with ink, followed by ivory black, lampblack, or antimony mixed with paste. Although used extensively in the 19th century on devotional and funereal publications, they are uncommon today.

citations: Hannett, John. Bibliopegia; or, the art of bookbinding… London. Simkim, Marshall. 1848.

citations: Nicholson, James B. A manual of the art of bookbinding… Philadelphia. Baird. 1856.


black lead

norm: black lead

text: Commercial powdered graphite, which, when mixed with water, glair, and (sometimes) Armenian bole, is applied to the edges of books before gilding. See also: GILT EDGES.

citations: Zaehnsdorf, Joseph William. The art of bookbinding…London. Bell. 1890.


BLACK LETTER

norm: black letter

text:
is the name now applied to the Old English or Modern Gothic character, which was introduced into England about the middle of the fourteenth century, and became the character generally used in manuscript works before the art of printing was publicly practised in Europe. On the application of that art to the multiplying of books, about the middle of the fifteenth century, the Block Books, and, subsequently, those printed with moveable types, were in this letter, to imitate writing, and were disposed off as manuscripts. When the first William Caslon commenced the business of type founding he made great improvements in their shape, and his Gothic or black letter remains unequalled, viewing it as an imitation of ancient writing, the purest shape for the character originally intended for a counterfeit manuscript. I am sorry to see our present founders giving way to a barbarous caprice of fancy, by introducing arbitrary shapes, which were unknown to our ancestors when this character was in general use; for it appears inconsistent to call the following Letters Old English, or Gothic,

The Alphabet.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m n o p q r s t u v w x y z

Astle, in his Origin and Progress of Writing, says, “The Modern Gothic, which spread itself all over Europe in the twelfth and thirteenth centuries, is improperly so called, because it does not derive its origin from the writing anciently used by the Goths and Visigoths, in Italy and Spain, but this Modern Gothic is the most barbarous or worst kind of writing; it took its rise in the decline of the arts, among the lazy schoolmen, who had the worst taste; it is nothing more than the Latin writing degenerated. This writing began in the twelfth century, and was in general use (especially among monks and schoolmen) in all parts of Europe, till the restoration of the arts, in the fifteenth century, and longer in Germany and the northern nations: Our statute books are still printed in Gothic letters.” Astle’s work was published in 1784.

Blacks in the British Founderies.

Ten Line Pica.—Caslon.

Five Line Pica.—Caslon.

Four Line Pica.—Caslon.

Two Line Double Pica.—Caslon.

Two Line Great Primer.—Caslon. Wilson.

Two Line English.—Caslon.

Double Pica.—Caslon. Figgins. Wilson.

Great Primer.—Caslon. Figgins. Wilson.

English.—Caslon. Thorowgood & Besley, formerly Wolf’s. Figgins. Wilson.

Pica.—Caslon. Thorowgood & Besley. Caxton. Figgins. Wilson.

Small Pica.—Caslon.

Long Primer.—Caslon. Thorowgood & Besley. Figgins. Wilson.

Bourgeois.—Caslon.

Brevier.—Caslon. Wilson.

Nonpareil.—Caslon. Wilson.

Blackwell, Beale. See Donations.

caption: Five 'letters'

alt: Five 'letters'

credit: William Savage, A Dictionary of the Art of Printing, 1841

caption: Blackletter Alphabet

alt: Blackletter Alphabet


black step

norm: black step

text: A heavy line, 6 points thick and about 24 points long, which appears on the back of a folded section of a book after the printed sheet is folded. The collective black steps run from the head to the tail of the gathered sections, generally about 24 points below each other. When the book is gathered the black steps appear as a diagonal line running from head to tail across the back of the text block, and any missing or misplaced section immediately becomes obvious because the black step is broken. Also called "back mark," "collating mark," and "quad mark."


blacking the squares

norm: blacking the squares

text: The process of coloring the edges and squares of the boards of a book, as well as the headcaps, with a black pigment, such as vinegar-black mixed with gum arabic, so as to enhance the effect of tooling in blind. The technique is uncommon today.


blacks

norm: blacks

text: 1. An obsolete term for a grade of book cloth of a "common" quality, dyed throughout. 2. A general term applied to black papers used for covers, photograph albums, and the like.

citations: Palmer, Elbridge Woodman. A course in bookbinding for vocational training. New York. Employing bookbinders of America. 1927.


blanc fixe

norm: blanc fixe

text: See: BARIUM SULFATE.


Blank books

norm: blank books

text: Applied to a large variety of books which are bound with blank leaves, or leaves having ruled lines and little or no printing: account books, memorandum books, ledgers, etc. The binding of such books is a special trade.

siglum: NBL

author: Bailey, Arthur L.

work: Notes on Bookbinding for Libraries


blank cover

norm: blank cover

text: A term sometimes applied to the covers of a bound book that are not blocked or ornamented in any manner.


blank leaves

norm: blank leaves

text: The unprinted leaves at the front and back of a book. They may be an integral part of the book as received from the publisher (printer's flyleaves), or they may be added by the bookbinder (binder's flyleaves). They are not necessarily part of the endpapers.


BLANK PAGES

norm: blank pages

text: When blank pages occur in a work, particularly in duodecimos and smaller sizes, the compositor will find it an advantage to set them up the exact size of the pages of the work, and made up to his gauge, so that he will have his register good without the trouble that attends filling the blank up with pieces of Furniture by guess work, which causes extra trouble to the pressman.


blank rolling

norm: blank rolling

text: A method of sprinkling a FLESHER, in which an iron solution is applied to the leather and rolled in. The nap is then restored by brushing.


blank tooling

norm: blank tooling

text: See: BLIND TOOLING.


Blank-line

norm: blank-line

text: A line of quadrates.


blankbook

norm: blankbook

text: Originally, a book in which the printing was limited to page headings or divisions. The page was generally blank or ruled and was intended to receive writing. Today, blankbooks include a variety of items, including account books, albums, scrapbooks, exercise and manuscript books, etc. Blankbooks intended for the accounting of court records, etc., are generally ruled, horizontally and/or vertically, to facilitate writing. Since in most cases the information recorded is considered to be of permanent value, the paper and binding of the book must be of superior quality. Called "account book" in Great Britain. See also: BLANKBOOK BINDING.

citations: Madagan, John R. Bookbinding methods and aids for the printing trade. Charlotte, N. C. Washburn Printing Co. 1952.


blankbook binding

norm: blankbook binding

text: A style of binding for books meant to be written in and which, therefore, must lie flat at any place the book is open. Blankbook binding is one of the principal subdivisions of STATIONERY BINDING and differs greatly from the other major nit of binding, LETTERPRESS BINDING. One of the major differences is that blankbooks, or account books, as they are also called, are rounded but not backed, having instead a SPRING-BACK, which, in conjunction with the LEVERS, causes the spine of the book to "spring" up when the book is opened, thus giving full access to the gutter of the opposing pages. The best blankbook binding is very durable, with sewing on wide bands of webbing, rather than tapes, the ends of which are secured between split boards. The books also have heavy linings and strongly reinforced endpapers, called "joints" in a blankbook. In addition, it is not unusual for the folios to be sewn first to heavy cloth guards before being sewn to the webbings. Additional strength is sometimes imparted by hubs on the spine (which also protect the lettering) and bands either over or blankbook frame under the covering material. Although formerly always covered in leather, many blankbooks are now covered in heavy duck or canvas. Called "account-book binding" in Great Britain.

citations: British Federation of Master Printers. Preliminary technical course in printing. London. British Federation of Master Printers. 1967. 7 vol.

citations: Strauss, Victor. The printing industry…Washington, D.C. Printing Industries in America. 1967.

citations: U.S. Government Printing Office. Theory and practice of bookbinding. Rev. ed. Washington, D.C. U.S. Government Printing Office. 1962.

citations: Vaughan, Alexander J. Modern bookbinding; a treatise covering both letterpress and stationery branches of the trade…New ed. London. Skilton. 1960.


blankbook frame

norm: blankbook frame

text: An obsolete term for a sewing frame designed to be used when tapes instead of cords are used in sewing. See also: SEWING FRAME.

citations: Diehl, Edith. Bookbinding; its background and technique. New York. Rinehart. 1946. 2 vol.


blankbook paper

norm: blankbook paper

text: See: LEDGER PAPER.


Blanket

norm: blanket

text: A woollen cloth used in the tympan.


BLANKETS

norm: blankets

text:
Flannel steeped in urine, in which pelt balls are wrapped up at nights, and when they are not in use, to keep them soft.

Woollen cloth, or white baize, to lay between the tympans.—M. The blankets used for fine work are either superfine woollen cloth or fine kerseymere; for the finest work, paper alone is used. See Presswork.


blanking

norm: blanking

text: 1. The process of blocking book cloths that are patterned, i.e., grained. Before the use of hot dies and foils eliminated the need for blanking, the cloth was struck with the uninked die, which flattened out the pattern or grain of the cloth, leaving a smooth surface to take the ink on the subsequent strike. 2. A term sometimes used incorrectly with reference to blinding. See: BLIND TOOLING.

citations: Conkey, W. B. Company. What a businessman should know about printing and bookmaking. Rev. ed. Hammond, Inc. W. B. Conkey. 1928.

citations: Winans, Leonard G. The book from manuscript to market. New 370. York. Grosset 8 Dunlap. 1941.


BLASPHEMY

norm: blasphemy

text:
9 & 10 Will. 3. c. 32., intituled, “An Act for the more effectual suppressing of Blasphemy and Profaneness.”

“Whereas many persons have of late years openly avowed and published many blasphemous and impious Opinions, contrary to the Doctrines and Principles of the Christian Religion, greatly tending to the Dishonour of Almighty God, and may prove destructive to the Peace and Welfare of this Kingdom: Wherefore for the more effectual suppressing of the said detestable Crimes, be it enacted by the King’s most excellent Majesty, by and with the Advice and Consent of the Lords Spiritual and Temporal, and the Commons, in this present Parliament assembled, and by the Authority of the same, That if any Person or Persons, having been educated in, or at any Time having made Profession of the Christian Religion within this Realm, shall by Writing, Printing, Teaching, or advised Speaking, deny any one of the Persons in the Holy Trinity to be God, or shall assert or maintain there are more Gods than one, or shall deny the Christian Religion to be true, or the Holy Scriptures of the Old and New Testament to be of Divine Authority, and shall upon Indictment or Information in any of his Majesty’s Courts at Westminster, or at the Assizes, be thereof lawfully convicted by the Oath of two or more credible Witnesses; such Person or Persons for the first Offence shall be adjudged incapable and disabled in Law, to all Intents and Purposes whatsoever, to have or enjoy any Office or Offices, Employment or Employments, Ecclesiastical, Civil, or Military, or any Part in them, or any Profit or Advantage appertaining to them, or any of them: And if any Person or Persons so convicted as aforesaid, shall at the Time of his or their Conviction, enjoy or possess any Office, Place, or Employment, such Office, Place, or Employment shall be void, and is hereby declared void: And if such Person or Persons shall be a second Time lawfully convicted as aforesaid, of all or any the aforesaid Crime or Crimes, that then he or they shall from thenceforth be disabled to sue, prosecute, plead or use any Action or Information in any Court of Law or Equity, or to be Guardian of any Child, or Executor or Administrator of any Person, or capable of any Legacy or Deed of Gift, or to bear any Office, Civil or Military, or Benefice Ecclesiastical for ever within this Realm, and shall also suffer Imprisonment for the Space of Three Years, without Bail or Mainprize, from the Time of such Conviction.

s. 2. “Provided always, and be it enacted by the Authority aforesaid, That no Person shall be prosecuted by virtue of this Act, for any Words spoken, unless the Information of such Words shall be given upon Oath before one or more Justice or Justices of the Peace, within four Days after such Words spoken, and the Prosecution of such Offence be within three Months after such Information.

s. 3. “Provided also, and be it enacted by the Authority aforesaid, That any Person or Persons convicted of all or any of the aforesaid Crime or Crimes, in Manner aforesaid, shall for the first Offence (upon his, her, or their Acknowledgment and Renunciation of such Offence or erroneous Opinions, in the same Court where such Person or Persons was or were convicted, as aforesaid, within the Space of four Months after his, her, or their Conviction) be discharged from all Penalties and Disabilities incurred by such Conviction; any thing in this Act contained to the contrary thereof in anywise notwithstanding.”

Repealed as to denying the Trinity, by 53 Geo. 3. c. 160. s. 2. which is extended to Ireland by 57 Geo. 3. c. 70. See Libels.

53 Geo. 3. c. 160., intituled, “An Act to relieve Persons who impugn the Doctrine of the Holy Trinity from certain Penalties.”

s. 2. “And be it further enacted, That the Provisions of another Act passed in the Ninth and Tenth Years of the Reign of King William, intituled An Act for the more effectual suppressing Blasphemy and Profaneness, so far as the same relate to Persons denying as therein mentioned, respecting the Holy Trinity, be and the same are hereby repealed.

s. 3. “And whereas it is expedient to repeal an Act, passed in the Parliament of Scotland in the First Parliament of King Charles the Second, intituled, An Act against the Crime of Blasphemy; and another Act, passed in the Parliament of Scotland in the First Parliament of King William, intituled Act against Blasphemy; which Acts respectively ordain the Punishment of Death; be it therefore enacted, That the said Acts and each of them shall be, and the same are and is hereby repealed.

s. 4. “And be it further enacted, That this Act shall be deemed and taken to be a Public Act, and shall be judicially taken Notice of as such by all Judges, Justices, and others, without being specially pleaded.”

60 Geo. 3. c. 8. “An Act for the more effectual Prevention and Punishment of blasphemous and seditious Libels.”

“Whereas it is expedient to make more effectual Provision for the Punishment of blasphemous and seditious Libels; be it enacted by the King’s most excellent Majesty, by and with the Advice and Consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the Authority of the same, That from and after the passing of this Act, in every Case in which any Verdict or Judgment by Default shall be had against any Person for composing, printing, or publishing any blasphemous Libel, or any seditious Libel, tending to bring into Hatred or Contempt the Person of His Majesty, His Heirs or Successors, or the Regent, or the Government and Constitution of the United Kingdom as by Law established, or either House of Parliament, or to excite His Majesty’s Subjects to attempt the Alteration of any Matter in Church or State as by Law established, otherwise than by lawful Means, it shall be lawful for the Judge, or the Court before whom or in which such Verdict shall have been given, or the Court in which such Judgment by Default shall be had, to make an Order for the Seizure and carrying away, and detaining in safe Custody, in such Manner as shall be directed in such Order, all Copies of the Libel which shall be in the Possession of the Person against whom such Verdict or Judgment shall have been had, or in the Possession of any other Person named in the Order for his Use; Evidence upon Oath having been previously given to the Satisfaction of such Court or Judge, that a Copy or Copies of the said Libel is or are in the Possession of such other Person for the Use of the Person against whom such Verdict or Judgment shall have been had as aforesaid; and in every such Case it shall be lawful for any Justice of the Peace, or for any Constable or other Peace Officer acting under any such Order, or for any Person or Persons acting with or in Aid of any such Justice of the Peace, Constable, or other Peace Officer, to search for any Copies of such Libel in any House, Building, or other Place whatsoever belonging to the Person against whom any such Verdict or Judgment shall have been had, or to any other Person so named, in whose Possession any Copies of any such Libel, belonging to the Person against whom any such Verdict or Judgment shall have been had, shall be; and in case Admission shall be refused or not obtained within a reasonable Time after it shall have been first demanded, to enter by Force by Day into any such House, Building, or Place whatsoever, and to carry away all Copies of the Libel there found, and to detain the same in safe Custody until the same shall be restored under the Provisions of this Act, or disposed of according to any further Order made in relation thereto.

s. 2. “And be it further enacted, That if in any such Case as aforesaid Judgment shall be arrested, or if, after Judgment shall have been entered, the same shall be reversed upon any Writ of Error, all Copies so seized shall be forthwith returned to the Person or Persons from whom the same shall have been so taken as aforesaid, free of all Charge and Expence, and without the Payment of any Fees whatever; and in every Case in which final Judgment shall be entered upon the Verdict so found against the Person or Persons charged with having composed, printed, or published such Libel, then all Copies so seized shall be disposed of as the Court in which such Judgment shall be given shall order and direct.

s. 3. “Provided always, and be it enacted, That in Scotland, in every Case in which any Person or Persons shall be found guilty before the Court of Justiciary, of composing, printing, or publishing any blasphemous or seditious Libel, or where Sentence of Fugitation shall have been pronounced against any Person or Persons, in consequence of their failing to appear to answer to any Indictment charging them with having composed, printed, or published any such Libel, then and in either of such Cases, it shall and may be lawful for the said Court to make an Order for the Seizure, carrying away, and detaining in safe Custody, all Copies of the Libel in the Possession of any such Person or Persons named in such Order, for his or their Use, Evidence upon Oath having been previously given to the Satisfaction of such Court or Judge, that a Copy or Copies of the said Libel is or are in the Possession of such other Person for the Use of the Person against whom such Verdict or Judgment shall have been had as aforesaid; and every such Order so made shall and may be carried into effect, in such and the same Manner as any Order made by the Court of Justiciary, or any Circuit Court of Justiciary, may be carried into Effect according to the Law and Practice of Scotland: Provided always, that in the Event of any Person or Persons being reponed against any such Sentence of Fugitation, and being thereafter acquitted, all Copies so seized shall be forthwith returned to the Person or Persons from whom the same shall have been so taken as aforesaid; and in all other Cases, the Copies so seized shall be disposed of in such Manner as the said Court may direct.

s. 4. “And be it further enacted, That if any Person shall, after the passing of this Act, be legally convicted of having, after the passing of this Act, composed, printed, or published any blasphemous Libel or any such seditious Libel as aforesaid, and shall, after being so convicted, offend a Second Time, and be thereof legally convicted before any Commission of Oyer and Terminer or Gaol Delivery, or in His Majesty’s Court of King’s Bench, such Person may, on such Second Conviction, be adjudged, at the Discretion of the Court, either to suffer such Punishment as may now by Law be inflicted in Cases of high Misdemeanors, or to be banished from the United Kingdom, and all other Parts of His Majesty’s Dominions, for such Term of Years as the Court in which such Conviction shall take place shall order.

s. 5. “And be it further enacted, That in case any Person so sentenced and ordered to be banished as aforesaid, shall not depart from this United Kingdom within Thirty Days after the pronouncing of such Sentence and Order as aforesaid, for the Purpose of going into such Banishment as aforesaid, it shall and may be lawful to and for His Majesty to convey such Person to such Parts out of the Dominions of His said Majesty, as His Majesty by and with the Advice of His Privy Council shall direct.

s. 6. “And be it further enacted, That if any Offender who shall be so ordered by any such Court as aforesaid to be banished in Manner aforesaid, shall after the End of Forty Days from the Time such Sentence and Order hath been pronounced, be at large within any Part of the United Kingdom, or any other Part of His Majesty’s Dominions, without some lawful Cause, before the Expiration of the Term for which such Offender shall have been so ordered to be banished as aforesaid, every such Offender being so at large as aforesaid, being thereof lawfully convicted, shall be transported to such Place as shall be appointed by His Majesty for any Term not exceeding Fourteen Years.

s. 7. “And be it further enacted, That the Clerk of Assize, Clerk of the Peace, or other Clerk or Officer of the Court having the Custody of the Records where any Offender shall have been convicted of having composed, printed, or published any blasphemous or seditious Libel, shall, upon Request of the Prosecutor on His Majesty’s Behalf, make out and give a Certificate in Writing, signed by him, containing the Effect and Substance only (omitting the formal Part) of every Indictment and Conviction of such Offender to the Justices of Assize, Oyer and Terminer, Great Sessions, or Gaol Delivery, where such Offender or Offenders shall be indicted for any Second Offence of composing, printing, or publishing any blasphemous or seditious Libel, for which Certificate Six Shillings and Eight-pence and no more shall be paid, and which Certificate shall be sufficient Proof of the Conviction of such Offender.

s. 8. “And be it further enacted, That any Action and Suit which shall be brought or commenced against any Justice or Justices of the Peace, Constable, Peace Officer, or other Person or Persons, within that Part of Great Britain called England, or in Ireland, for any thing done or acted in pursuance of this Act, shall be commenced within Six Calendar Months next after the Fact committed, and not afterwards; and the Venue in every such Action or Suit shall be laid in the proper County where the Fact was committed, and not elsewhere; and the Defendant or Defendants in every such Action or Suit may plead the General Issue, and give this Act and the special Matter in Evidence at any Trial to be had thereupon; and if such Action or Suit shall be brought or commenced after the Time limited for bringing the same, or the Venue shall be laid in any other Place than as aforesaid, then the Jury shall find a Verdict for the Defendant or Defendants; and in such Case, or if the Jury shall find a Verdict for the Defendant or Defendants upon the Merits, or if the Plaintiff or Plaintiffs shall become Nonsuit, or discontinue his, her, or their Actions after Appearance, or if, upon Demurrer, Judgment shall be given against the Plaintiff or Plaintiffs, the Defendant or Defendants shall have Double Costs, which he or they shall and may recover in such and the same Manner as any Defendant can by Law in other Cases.

s. 9. “And be it further enacted, That every Action and Suit which shall be brought or commenced against any Person or Persons in Scotland, for any thing done or acted in pursuance of this Act, shall in like Manner be commenced within Six Calendar Months after the Fact committed, and not afterwards, and shall be brought in the Court of Session in Scotland; and the Defender or Defenders may plead that the Matter complained of was done in pursuance of this Act, and may give this Act and the special Matter in Evidence; and if such Action or Suit shall be brought or commenced after the Time limited for bringing the same, then the same shall be dismissed; and in such Case, or if the Defender or Defenders shall be assoilzied, or the Pursuer or Pursuers shall suffer the Action or Suit to fall asleep, or a Decision shall be pronounced against the Pursuer or Pursuers upon the Relevancy, the Defender or Defenders shall have Double Costs, which he or they shall and may receive in such and the same Manner as any Defender can by Law recover Costs or Expences in other Cases.

s. 10. “Provided always, and be it further enacted, That nothing in this Act contained shall be held or considered as in any respect altering the Law or Practice of Scotland regarding the Punishment of Persons convicted of composing, printing, publishing, or circulating any blasphemous or seditious Libel.”—See Libels.


bleach

norm: bleach

text: 1. A chemical, usually an oxidizing or reducing agent, used to whiten or increase the brightness of a material, e.g., paper or paper pulp. See also: BLEACHING (1) 2. A solution of chlorine or a similar chemical. 3. To whiten or increase the brightness of a material, or to remove stains from paper. See: BLEACHING (2).


bleached groundwood paper

norm: bleached groundwood paper

text: A paper manufactured from groundwood pulp which has been bleached by means of a suitable chemical, e.g., sodium peroxide, zinc hydrosulfite, etc, or a combination of chemicals. It is substantially brighter than unbleached groundwood paper and is not significantly less bright than paper produced from bleached sulfate or sulfite pulps.

citations: American Paper and Pulp Association. The dictionary of paper, including pulp, paperboard, paper properties and related papermaking terms. 3rd ed. New York. American Paper and Pulp Association. 1965.

citations: Casey, James P. Pulp and pa per: chemistry and chemical technology. 2nd ed. New York. Interscience. 1960-61. 3 vol.


bleached sulfate paper

norm: bleached sulfate paper

text: A class of paper generally used in grades of white, as well as for boards requiring strength. The pulp is fully bleached with chlorine dioxide, or the dioxide plus peroxide, with or without hypochlorite, in multistage bleaching operations. Its high brightness is attainable with strength characteristics not substantially lower than that of an unbleached chemical pulp.


bleached sulfite paper

norm: bleached sulfite paper

text: A paper which has been bleached in one stage by means of peroxide or hypochlorite, or in a multistage operation using peroxide and/or chlorine dioxide. The paper has high brightness with good stability.


bleaching

norm: bleaching

text:
1. The process of treating pulps used in papermaking with chemicals to alter their color so that the pulp and the resulting paper will have greater brightness. Such bleaching is usually accompanied by partial removal of noncellulosic materials, e.g., LIGNIN.

2. The process of chemically treating archival materials in order to remove stains, discoloration, foxing, etc., and/or to restore brightness. Both oxidizing—i.e., chemicals which take up electrons—and reducing—i.e., chemicals which give up electrons—chemicals are used, the former much more extensively than the latter. Chemicals which are, or have been, used include CALCIUM HYPOCHLORITE, CHLORAMINE T. , CHLORINE DIOXIDE, FORMALDEHYDE, HYDROGEN PEROXIDE, POTASSIUM METABISULFITE,

SODIUM CHLORATE, SODIUM CHLORITE, SODIUM HYPOCHLORITE, and SODIUM PEROXIDE. 3. The process of lightening the color of a vegetable-tanned leather by means of the removal of the oxidized tannins and insoluble matter from the outer surfaces of the skin, usually by treatment with a solution of sodium carbonate, washing, and then treatment with diluted acid. Chrome-tanned leathers are usually bleached by treating the skin with acid solutions of syntans and at times by precipitating white pigments in the grain layer of the leather to impart a bleached appearance. 4. The destructive effects of chemical agents on water colors, inks, fugitive colors, etc. 5. The generally undesirable and destructive effect of natural and artificial light on archival materials, especially cloth and leather bookbindings.

citations: Britt, Kenneth W., ed. Handbook of pulp and paper technology. 2nd ed. New York. Van Nostrand Reinhold. 1970.

citations: Clapperton, Robert Henderson. Modern paper-making. 3rd ed. Oxford. Blackwell. 1952.

citations: Lydenherg, Harry Miller, and John Archer. The care and repair of books. 4th ed. New York. Bowker. 1960.

citations: Sutermeister, Edwin. Chemistry of pulp and pa per making. 3rd ed. New York. Wiley. 1941.


bleaching powder

norm: bleaching powder

text: See: CALCIUM HYPOCHLORITE.


bled

norm: bled

text: The printed image, plates, or illustrations of a book that have been cut into during trimming, e.g., BLEED BORDER, BLEED ILLUSTRATION.


bleed

norm: bleed

text: 1. To trim the edges of a book to the extent that part of the letterpress is removed. 2. A printed image which runs off the edge of a page. 3. The process of deliberately trimming so as to "bleed" a page. See also: BLEED BORDER; BLEED ILLUSTRATION.

citations: Clowes, William Beaufoy. A guide to printing. London. Heineman. 1963.


bleed

text: When a book is cut into the print it is said to bleed.

siglum: MAB

author: Nicholson, James B.

work: A Manual of the Art of Bookbinding


bleed

text: When a book has been cut down into the print it is said to have been bled.

siglum: ABB

author: Zaehnsdorf, Joseph W.

work: The Art of Bookbinding: A Practical Treatise


bleed

text: When a book on being trimmed is so cut that some of the print is taken off it is said to bleed.


bleed border

norm: bleed border

text: A heavy border on a printed page or sheet, especially on the cover of a pamphlet or booklet, printed in such a position that part of it is cut away in trimming.


bleed illustration

norm: bleed illustration

text: An illustration that runs to one or more edges of the page, leaving no margin. If the bleeding is to be accomplished by means of cropping, the illustration must be designed so that nothing of importance is removed by trimming. When an illustration occupies an entire page, it is said to bleed on three sides, i.e., head, tail, and fore edge, and run flush to the gutter. See also: CENTER SPREAD.

citations: Feipel, Louis Nicholas, and Earl W. Browning. Library bookbinding manual…Chicago. American Library Association. 1951.


bleeding

norm: bleeding

text: 1. See: BLEED. 2. The removal of color from a paper or paper pulp due to the action of water or another liquid, which dissolves the coloring matter. 3. Discoloration of the surface of a paper due to the migration of residual oils. 4. The tendency of colored papers to stain contiguous leaves, usually due to the presence of water or moisture of some kind. 5. The diffusion of uncombined materials from the interior of leather to the grain surface where they may contaminate other materials or mar the appearance of the leather. This usually occurs at elevated temperatures and is commonly designated as staining.

citations: Tanners' Council of America, Inc. Dictionary of leather terminology. 6th ed. New York. Tanners' Council of America. 1969.

citations: Wilson, John Arthur. Modern practice in leather 367. manufacture. New York. Reinhold. 1941.


blesbock

norm: blesbock

text: A South African antelope, Damaliscus albifrons, the skin of which has been used to produce a bold-grained leather, in imitation of SEALSKIN.


blind blocking

norm: blind blocking

text: The process of lettering or decorating a book with BINDER'S BRASS or ZINCO only, i.e., without gold leaf, ink, or foil.

citations: Simon, Oliver. Introduction to typography. 2nd ed. London. Faber and Faber. 1963.


blind finishing

norm: blind finishing

text: Any of the several techniques of decorating a binding by tooling without the use of gold, or other leaf metals, or coloring materials. Blind finishing includes: 1) impressing the surface of the covering material with a heated tool (See: BLIND TOOLING); 2) embossing leather from the flesh side while wet, with the pattern being outlined by an indented line; and 3) cutting the leather so as to create a design in relief. See: CUIR-CISELÉ.


blind impressions

norm: blind impressions

text: Virtually the same process as BLIND BLOCKING, except that it generally applies to hand tooling. In blind impressions, there are generally two impressions of the tool or letter, the first made through the design or lettering on paper with a warm tool and a second done directly on the impression. This second step assures an evenness and straightness of the impression, and, because the impression through the paper is larger, the second makes the final impression the correct size.

citations: Hewitt-Bates, James Samuel. Bookbinding. 8th ed. Leicester. Dryad. 1967.


blind lines

norm: blind lines

text: 1. The impressed lines on the spine of a leather binding along each side of the raised bands. Such lines are usually impressed with a two-line PALLET (1). 2. The blind lines made by a FILLET (1) without the use of leaf metal or foil.

citations: Town, Laurence. Bookbinding by hand, for students and craftsmen. New York. Pitman. 1950 (1951).


blind stamping

norm: blind stamping

text: A term originally used with reference to stamping a leather cover with small, unheated tools that were cut intaglio so that the impression was in relief. See also: BLIND TOOLING.

citations: Middleton, Bernard C. A history of English craft bookbinding technique. New York. Hafner. 1963.


blind tooling

norm: blind tooling

text:
A method of decorating a book in which impressions are made in the covering material, usually leather or tawed skin, by means of heated tools, pallets, rolls, fillets, or combinations of one or more of these. As the name implies, blind tooling does not entail the use of leaf metal, foil, or any other coloring material, with the possible exception of carbon, which is sometimes used to darken the impressions.

The effect of blind tooling rests largely on the depth and uniformity of the impressions (which makes it unsuitable for use with hard covering materials) and the ability of the heated tool to produce a darkened color (see above)—factors which make leather, especially in the lighter shades, an ideal medium for this method of decoration.

The critical aspects of the technique are the temperature of the tool and the degree of dampness of the leather. In general, the damper the leather the cooler the tool should be, and vice versa. In tooling leather blind, the surface is given a quick initial strike to "set" the leather in the impression. The tool is then impressed again and rocked slightly, which polishes and darkens the impression. When blind lines run across the spine of the book, polishing is accomplished by sliding a pallet along the lines; on the covers, where a fillet is used for long lines, it is fixed so that instead of rolling, it slides along the impression.

Blind tooling has been used as a means of decorating books since the early days of bookbinding, and can be traced back to COPTIC BINDINGS of the 7th or 8th centuries, and even earlier. There is reason to believe that the technique was brought to Europe from the Mediterranean area about the same time as other Coptic techniques being used, possibly by imported craftsmen; however, little is known of blind-tooled bindings until the 12th century and early part of the 13th. In one form or another, the technique has been used continuously up to the present day, but during the 16th to 18th centuries, its use was more or less limited to inferior calf- and sheepskin bindings. Near the end of the 18th and during the early years of the 19th centuries blind tooling was often used on fine bindings in conjunction with gold. Also called "antique tooling."

citations: Coutts, Henry T., and George A. Stephen. Manual of library bookbinding; practical and historical. London. Libraco. 1911.

citations: Dunn and Wilson Group. The art and craft of bookbinding. Falkirk. Dunn & Wilson. 1968.

citations: Fahey, Herbert, and Peter Fahey. Finishing in hand bookbinding…  San Francisco. The authors. 1951.


blind tooling

text: The impression of finishing tools without gold leaf.

siglum: BIB

author: Sabin, Joseph

work: Bib-li-op-e-gis-tic: Pertaining to the Art of Binding Books


blind tooling

text: the impression of finishing tools without gold.

siglum: BCB

author: Cockerell, Douglas

work: Bookbinding, and the Care of Books


blind warbles

norm: blind warbles

text: See: WARBLES.


blind-stamped panel

norm: blind-stamped panel

variant: blind-stamped binding

text:
A form of decoration on the covers of a binding impressed by means of an engraved stamp (bearing a complete design) on the dampened leather. Virtually all early plates were cut intaglio (with a three dimensional effect and not as a two dimensional printing block), the resulting image on the cover being in relief. Panels were still being used in (German) bookbinding until well into the 18th century.

The art originated in the Low Countries, and was practiced there from the 14th century on. Characteristic designs consisted of animals in circles or loops of foliage. The art flourished in France from about 1488 to 1528; in Germany, extensive use was made of blind-stamped panels on covers of pigskin bindings, mainly after 1550. The blind-stamped panel was in use in England from about 1480 to 1580, but it was not really popular until about 1500. The most used motifs included the royal arms and heraldic devices. Rectangular panels made with a single stamp continued in use until about 1623.

Because of the great pressure required to impress a complete design, a standing press of some kind must have been used.

The most commonly used leathers for these bindings were calfskin and pigskin.

citations: Glaister, Geoffrey Ashall. An encyclopedia of the book. Cleveland. World. 1960.

citations: Hobson, Geoffrey Dudley. Blind-stamped panels in the English book-trade, c. 1485-1555. London. The Bibliographical Society. 1944.


Blind-Tooled

norm: blind-tooled

text: When the tools are impressed upon the leather, without being gilt, they are said to be blind or blank.


Blind-Tooled

text: When a book has been impressed with tools |174| without being gilt, it is said to be “blind-tooled” or “antique.”


Blind-Tooled

text: When tools are impressed upon the leather, without gold, they are said to be blind or blank, and the book is blind-tooled. This tooling is sometimes called antique.


blisters

norm: blisters

text: 1. Bubbles or pockets of air, water vapor, solvent vapor, etc., trapped between the board and PASTEDOWN of a book, causing the board paper to bulge, forming a blister. A blister effect may also be caused by a small mass of adhesive, which stretches the covering material, or by failure of the covering material to adhere properly, causing a protuberance or "blister" between board and covering material. 2. Defects in paper resulting from too rapid drying of the web or poor condition of the drying felts which allows air between the felt and web. Blisters are also defects in coated papers caused by too rapid expansion of moisture in the interior of the sheet when subjected to the high drying temperatures of web presses.

citations: Ainsworth, John H. Paper; the fifth wonder. 2nd ed. Kaukauna, Wisc. Thomas. 1959.

citations: American Paper and Pulp Association. The dictionary of paper, including pulp, paperboard, paper properties and related papermaking terms. 3rd ed. New York. American Paper and Pulp Association. 1965.


block

norm: block

text: A piece of metal, without a handle, bearing an engraved or etched design and used in decorating the covers of a book. It is intended to be used in a press. See also: BLOCKING (1); BLOCKING PRESS.

citations: Melcher, Daniel, and Nancy Larrick. Printing and promotion handbook …3rd ed. New York. McGraw-Hill. 1966.


block

text: The mahogany forms on which stereotype plates are placed for printing.


block book

norm: block book

text: A book printed from cut blocks of wood. Although it is presumed that block books preceded the invention of printing from movable metal type, most of the extant examples of block books are from the period 1460 to 1480, i.e., subsequent to printing from metal types. Each block was cut for an entire page, and, in the earliest examples, each leaf was printed only on one side, usually with a thin, brownish ink. The spread of printing virtually eliminated the demand for this type of book but they continued to be printed until at least the end of the 15th century. These later examples were printed on both sides of the leaf with ordinary printing ink. Block books are essentially picture books, sometimes with a small amount of text, also cut in wood.

citations: Carter, John. A B C for book collectors. 5th ed. London. Hart Davis. 1972.

citations: Harrod, Leonard Montague. The librarians' glossary of terms used in librarianship and the book crafts, and reference book. 3rd ed. London. Deutsch. 1971.


block printing

norm: block printing

text: The process of printing from hand-carved blocks of wood or linoleum. Modern blocks, which are made up of relatively heavy lines and solid areas, are cut for relief printing, and are inked or colored only on the uncut surfaces. If printing in two or more colors is required, the colors can be applied and printed in one impression, printed in two or more impressions, or two or more blocks can be cut. In the early days of block printing, it was a common practice to print the outline of the design and then apply the colors by hand. The relatively soft surfaces of blocks of wood or linoleum limit the number of impressions that can be made.


BLOCKED-UP

norm: blocked-up

text:
Letter is said to be blocked-up, when in the progress of a work it is all composed, and from any cause none of the forms can be worked to disengage part of it, in order to proceed. This may arise—from the Author not returning the proofs regularly—from the Reader not reading them for press—from a flush of presswork in other works—from the non-attendance or negligence of the pressmen—or from compositors, in a companionship, keeping each too much copy in his hands, whereby all the letter is composed before they join their matter. From whatever cause it arises it is a great detriment, and unhinges the regular train of work, and ought always to be avoided as much as possible.

The term is also applied when the Pressmen use too much ink in working a form; and when a form has been neglected to be washed, and the ink left to dry on the face—It is blocked-up with ink.

Blocks, for stereotype printing, see Risers.


BLOCKED-UP

text: When the fount of type is all set, and none is available for present use.


blocking

norm: blocking

text: 1. The process or technique of impressing a design into the covering material of a book by means of a stamp or BLOCK having an engraved or etched surface. The term applies to the impressing of type, blocks, etc., with foil, leaf, etc., or without (BLIND BLOCKING). Since the area that can be blocked by hand is relatively small (about one square inch, or less), large areas are blocked using a BLOCKING PRESS. The permanency of the blocking, particularly when gold leaf is used, depends largely on the pressure applied by the craftsman, or the force of the blocking press, which drives the raised surfaces of the block or die into the covering material. Hand blocking may be done on curved or flat surfaces, while blocking by means of a press is generally done on flat surfaces only. 2. The surface tackiness that book cloths sometimes develop as they age. 3. An undesirable condition in which a dry adhesive film is reactivated by heat, pressure, moisture, etc., and adheres to a material in contact with it.

citations: Hutchings, Ernest A. D. A survey of printing processes. London. Heinemann. 1970.

citations: Practical printing and binding; Odhams complete guide to the printer's craft, edited by Harry Whetton. 3rd ed. London. Odhams Books. 1965.

citations: Skeist, Irving. Handbook of adhesives. New York. Reinhold. 1962.


blocking foil

norm: blocking foil

text: A thin plastic film with a high vacuum deposit of gold or other metal and backed by a pressure-sensitive adhesive. White and colored pigments are also available. They are used in the same way as gold leaf, the impression being obtained by means of a heated die, block, type, etc. Blocking foils are used extensively in library and edition binding.

citations: Clough, Eric A. Bookbinding for librarians. London. Association of Assistant Librarians. 1957.

citations: Corderoy, John. Bookbinding for beginners. New York. Watson-Guptill. 1967.


blocking powder

norm: blocking powder

text: A finely ground resin used in dusting over the impressions in silk and velvet before gold tooling. Such resins are used in lieu of GLAIR because moisture would stain the silk or velvet. The powder has the advantage of requiring only a moderately hot tool, whereas glair requires considerably more heat to make the gold adhere. Blocking powder, however, does not provide the solidity of adhesion to gold leaf that is obtainable with a liquid size; therefore, it is generally used only when a liquid size is impractical.

citations: Harrison, T. The bookbinding craft and industry; an outline of its history, development, and technique. London. Pitman. 1926.


blocking press

norm: blocking press

text: A press which heats blocks and impresses lettering. designs, etc., into the covers of books. In edition binding this is done automatically, gold or pigment foils being fed through the machine on a thin plastic BLOCKING FOIL. The blocking press is used for BLIND BLOCKING or ink blocking; heat is not required for the latter process. When gold leaf is used it is laid directly on the book cover. The blocking press first came into use in England in the period 1830-32 for gold blocking on book cloths. Before this time books were blocked with a block that was heated off the press and then laid on the cover and pressed. Also called "embossing press" and, in the United States, "stamping press."

citations: Darley, Lionel S. Introduction to book binding. London. Faber and Faber. 1965.

citations: Leighton, Douglas. Modern bookbinding: a survey and a prospect. New York. Oxford University Press. 1935.

citations: Middleton, Bernard C. A history of English craft bookbinding technique. New York. Hafner. 1963.


blocking press

text: Another and more general term for the arming press; one of the chief implements used in cloth work. Used for finishing the side of a cover by a mechanical process.


blocking press

text: a press used for impressing blocks such as those used in decorating cloth cases.


blocking press

text: Another and more general term for the stamping or arming press; one of the chief implements used in cloth work. Used for finishing or decorating the sides and back of a cover by a mechanical process.


BLOCKS OR BLOCKING TOOLS

norm: blocks or blocking tools

text: An engraved stamp used for finishing by means of the blocking press.


blood stone burnisher

norm: blood stone burnisher

text: See: BURNISHER(S) (1)


bloom

norm: bloom

text: 1. A deposit of ellagic acid formed in and on leathers tanned with vegetable tannins of the pyrogallol class, probably as a result of the action of enzymes native to the original source, i.e., bark, acorns, etc. Although bloom affects the physical properties of leather in that it increases weight yield, firmness, and water resistance, it is deposited in insoluble form and is not chemically combined with the fibers of the leather. Its presence at times gives an unsightly appearance to the leather. 2. A misty surface appearance in an illustration, caused by an excess of acid or too much drier in the ink. 3. The dulling film that sometimes appears on varnish and glossy paint films, particularly in industrial atmospheres. It usually consists of minute crystals of ammonium sulfate produced by the reaction between sulfur dioxide, ammonia, and oxygen in condensed moisture on the film. Bloom can appear on a freshly lacquered surface when rapid evaporation of the solvents causes the temperature of the surface to fall below the dew point. Moisture is deposited on the film, causing a limited precipitation of cellulose nitrate and giving the film a permanent cloudy appearance.

citations: Frank Norman. Howes, Frank Norman. Vegetable tanning materials. London. Butterworth. 1953.

citations: Kingzett, Charles Thomas. Kingzett's chemical encyclopedia; a digest of chemistry & its industrial applications. Ed. by D. H. Hey, and others. 9th ed. London. Baillière, Tindell and Cassell. 1966.

citations: Sharphouse, John Henry. The leatherworker's handbook. London. Leather Producers' Association. 1963.

citations: Wilson, John Arthur. Modern practice in leather 367. manufacture. New York. Reinhold. 1941.


blotting paper

norm: blotting paper

text: A completely unsized sheet of paper, generally used to take up excess ink from hand-written documents, letters, etc. It is also used to absorb moisture from freshly washed or deacidified book and manuscript papers, prints, maps, etc. It is often made from high grade rag or cotton linters, and also from chemical or mechanical wood pulps, or mixtures thereof. The paper is porous, bulky, and has a low finish and little strength. Basis weights generally range from 60 to 140 pounds (19 X 24—500). Aside from its use as an absorbent paper, it can be ground up, mixed with size, and used to fill in worm and other small holes in paper.

citations: American Paper and Pulp Association. The dictionary of paper, including pulp, paperboard, paper properties and related papermaking terms. 3rd ed. New York. American Paper and Pulp Association. 1965.

citations: Stevenson, George A. Graphic arts encyclopedia. New York. McGraw-Hill. 1968.


blue

norm: blue

variant: blue sort

text: Hides and skins that have been chrome tanned but not finished. Such skins are usually called "in the blue," or "blue sort."

citations: Tanners' Council of America, Inc. Dictionary of leather terminology. 6th ed. New York. Tanners' Council of America. 1969.


blue agate marble

norm: blue agate marble

text: A cover marble, consisting of black coloring in large (united) drops, with blue streams down the boards uniting with the black. See also: GREEN AGATE MARBLE.

citations: Crane, W. J. E. Bookbinding for amateurs…New York. Scribner. 1903.

citations: Hannett, John. Bibliopegia; or, the art of bookbinding… London. Simkim, Marshall. 1848.


blue stormont marble

norm: blue stormont marble

text: A marble pattern used for both endpapers and edges, consisting of a red vein with indigo fillers dotted with numerous small interstices in the form of a fine network. This pattern was popular during the first half of the 19th century, but was also used in the 18th. See also: STORMONT MARBLE.


blue-and-gold edition

norm: blue-and-gold edition

text: A format for volumes of poetry, essays, etc., popular in the United States in the 1870s. The covering cloth was blue and the edges were gilt. The books were small, measuring about 6 by 3 1/2 inches.

citations: Holden, John Allen. The bookman's glossary…3rd ed. New York. Bowker. 1951.


blueprint paper

norm: blueprint paper

text: A paper produced from cotton fiber pulp, bleached chemical wood pulp, or combinations thereof, in basis weights of 12 to 30 pounds (17 X 22—500). It has a well-formed, fairly smooth surface, good wet tensile strength, and, although well-sized, uniform absorbency. Blueprint paper must not contain chemicals which might have an adverse effect on its sensitizing materials. The paper is sensitized by treating the base paper with chemicals, including potassium ferrocyanide, as well as with iron salts, such as the oxalates and tartrates.


board

norm: board

text: A generic term for a stiff and thick "paper." The distinction between board and paper is somewhat vague; however, in general, board is heavier in basis weight, thicker, and stiffer than paper. Most sheets 0.012 or more inches in thickness are considered to be boards, while nearly all less than 0.006 inch are termed paper; most of those in between these dimensions are also classed as paper. Blotting paper, in excess of 0.012 inch, however, is still classed as paper, and liner board, although sometimes less than 0.012 inch thick, is classed as board. See also: BINDER'S BOARD.

citations: American Society for Testing Materials. Symposium on testing adhesives for durability and permanence. Philadelphia. American Society for Testing Materials. (ASTM special technical publication no. 138). 1952.

citations: Battista, Orlando A. Synthetic fibers in papermaking. New York. Interscience. 1964.


board

text: Are of various kinds, such as pressing, backing, cutting, burnishing, gilding, &c. The pasteboards used for side-covers are termed boards. The boards used for cutting books "out of boards" are called steamboat-boards. Tinned boards are used for finished work; while brass or iron-bound boards are used for pressing cloth-work.


board

text: A temporary binding with a cover made of boards and paper.


board

text: Are of various kinds, each denoting the work it is intended for, such as pressing boards, backing, cutting, burnishing, gilding, etc.


board

text: Are of several kinds, such as pressing, backing, cutting, burnishing, gilding, etc. The paste-boards used for side covers are termed boards. The boards used for cutting books “out of boards” are called steamboat-boards. Tinned boards are used for finished work, while brass or iron-bound boards are used for pressing cloth-work. See also In boards.


board cutter

norm: board cutter

text: A lever type of cutter mounted on a flat bed and used for cutting hard millboard, and similar materials. The bed is equipped with a movable gauge against which the stock is placed for accurate cutting, and a foot-operated clamp which secures the material for cutting. The blade usually has one or more counterweights at the end opposite the handle to help prevent the knife from falling accidently, and also to reduce the effort required to raise the blade. See also: BENCH KNIFE; ROTARY BOARD CUTTER.

citations: Burdett, Eric. The craft of bookbinding; a practical handbook. London. Davis & Charles. 1975.


board knife

norm: board knife

text: 1. A knife of elliptical shape attached to the arm of a hand-operated BENCH KNIFE. 2. One of the circular knives of a ROTARY BOARD CUTTER.


board machine

norm: board machine

text: See: CYLINDER MACHINE.


board paper

norm: board paper

text: See: PASTEDOWN.


board paper

text: the part of the end papers pasted on to the boards.


board paper

text: Those parts of the end papers which are pasted onto the boards.


BOARD RACK

norm: board rack

text: A case made of strong deal boards, with broad ledges nailed on the inside of the two sides, to slide letter boards in: they are for the purpose of putting boards in with pages and jobs on; as the matter is safer and less likely to be broken, and more out of the way than when scattered about on bulks, and also takes up less room. The sizes are usually such as will admit demy and royal boards; but in houses where works on large paper are printed, they have board racks that will admit suitably larger boards.


Board shears

norm: board shears

text: Heavy shears, usually fitted to a table, and with a gauge for cutting boards.


boarded leather

norm: boarded leather

text: A leather which has been softened and the grain side of which has been lightly creased by the process of BOARDING (1).


boarding

norm: boarding

text: 1. A method of producing a design on the grain side of leather, as well as softening it, by means of a series of creases produced on the surface of the skin. Boarding is accomplished by folding the leather, grain side to grain side, and working the fold board knife across its surface. A straight or "willow" grain results when the skin is boarded on one direction, and a box or "cross" grain when it is also boarded at right angles to the first. Boarding a third time in a direction diagonal to the first two produces a pebbled-grain pattern. Boarding may be done by hand, using a cork-surfaced board called a GRAINING BOARD, the fold of the leather being rolled under the board, or, as is the usual case today, by means of a boarding machine, in which the leather is rolled between two cylinders, one covered with cork or rubber and the other with felt or rubber. 2. See: GRAINED UP.


boards

norm: boards

text: 1. A generic term for the pieces of wood, metal, or metal-edged wood used to assist in gripping books while in process of being bound. Such boards are used in pressing, backing, bundling, gilding, trimming, and other operations. 2. The state or condition of being IN BOARDS or OUT OF BOARDS. 3. See: BINDER'S BOARD.


bock

norm: bock

text: A leather made from the skin of a so-called Persian sheep, which is a sheep that has coarse hair instead of wool. It was used in the latter part of the 19th and early part of the 20th centuries as a substitute for goatskin. When finished and grained usually embossed) in imitation of MOROCCO, it was referred to as "bock morocco."

citations: Conkey, W. B. Company. What a businessman should know about printing and bookmaking. Rev. ed. Hammond, Inc. W. B. Conkey. 1928.

citations: Palmer, Elbridge Woodman. A course in bookbinding for vocational training. New York. Employing bookbinders of America. 1927.


Bock morocco

norm: bock morocco

text: The name given to a leather made of Persian sheepskin usually finished in imitation of morocco. It does not wear well and soon decays.


BODKIN

norm: bodkin

text: A piece of steel wire filed tapering to a point; the thick end being fixed in a short wooden handle. Its use is to pick wrong letters out of a page in correcting, in order to their being replaced by right ones. A fine hackle tooth makes the best bodkin, and the finer the point the better.


BODKIN

text: A delicate awl-like tool used for correcting errors in type.


BODKIN

text: A strong and short point of steel fixed in a wooden handle, for making the holes through the mill-boards. The slips upon the back of the book are laced through the holes for attaching the mill-board to the book.


BODKIN

text: an awl used for making the holes in the boards for the slips.


Bodkin or Stabbing-Awl

norm: bodkin or stabbing-awl

text: A strong point of iron or steel, fixed on a wooden handle, to form the holes in the boards required to lace in the bands. Used also for tracing the lines for cutting the fore-edge.


Bodkin or Stabbing-Awl

text: A strong point of iron or steel fixed in a wooden handle to form the holes in boards through which to lace bands. Used also for tracing lines for cutting fore-edges.


BODY

norm: body

text: The size of the shank of any type from the back of it to the front, or the square of the m quadrat: thus English Body, Pica Body, &c.—M. See Types. Typographical Points.


BODY

text: The shank of the letter.


body board

norm: body board

text: See BODY PAPER.


BODY OF THE WORK

norm: body of the work

text: The subject matter of a work is usually so termed, to distinguish it from the notes, the preface, introduction, contents, and index.


body paper

norm: body paper

text: The foundation paper or board for finished papers, such as art, chromo, coated, gummed, and others, which are made by coating or treating with composition.

citations: Clowes, William Beaufoy. A guide to printing. London. Heineman. 1963.


Bole

norm: bole

text: A preparation used in gilding edges.


Bole

text: A red earthy mineral, resembling clay in character, used in the preparation for gilding edges.


BOLSTER

norm: bolster

text: A piece of stout leather strap nailed to the near long rib of a wooden press, at the fore end, and padded under so as to raise it sufficiently high; its use is to check the running out of the carriage, by friction, at the proper place to permit the tympan to rise clear of the platen, when the pressmen are in a train of work, a similar piece being nailed under the carriage. In iron presses a bar projects between the ribs on which is secured an inclined plane of wood, and in some iron presses a spring is screwed on the near long rib for the purpose. It prevents the sudden jerk upon the back stay, and also upon the carriage when it is run out.


bolt

norm: bolt

text: The folded edge at the head, tail, or fore edge of a section of an unopened book. Depending on location, it is known as a head bolt, tail bolt, or fore edge bolt. Bolts are generally located at the head and fore edge, but cannot be located at all three edges in any one section. The folded edge opposite the fore edge is not a "bolt," but a spine fold, or "last fold." Bolts are often opened quickly and with little care, resulting in ragged edges that are difficult to handle when turning leaves. A dull knife used carefully will result in a clean cut, while a knife that is too sharp is difficult to control and often cuts away from the bolt and into one or more leaves.


bolt

text: The fold in the head and fore-edge of the sheets. Also the small bar with a screw used to secure the knife to the plough.


bolt

text: The fold in the head and foredge of the sheets. The iron bar with a screw and nut which secures the knife to the plough.


bolt

text: folded edge of the sheets in an unopened book.


bolt

text: Folded edge of sheets in an unopened book.


bolt knife

norm: bolt knife

text: One of the two types of knives that can be used for cutting the edges of books with the PLOW. The bolt knife is fastened to the shoe of the plow, consequently its position cannot be changed, as can that of the SLIDING KNIFE. The sliding type is less expensive and easier to attach, and has almost completely superceded the bolt type.


BOLTS

norm: bolts

text:
The pieces of furniture that are placed between the head lines of the pages in a form of twelves, to form the margin at the head of the pages, are called <i>Bolts</i>.

The bolts are cut to the width of the page, so that the gutters go a little way between them, and secure the sides of the pages the whole length: I would recommend to the compositor to cut his bolts square at the ends, and of such a length that they shall go into the measure of his composing stick easily; he will thus prevent the folios or any letters at the extremities of the head lines falling down, as well as the bolts binding against the gutters.


bond

norm: bond

text: 1. In adhesives, the process of joining two structures together, i.e., to create an assembly by means of adhesive linkage. 2. A form of insurance agreement under which a bonding company guarantees to pay a library within stated limits for any financial loss, or for failure of the binder to perform in accordance with the terms of the contract, i.e., to follow specifications, to charge the agreed-upon price, to return materials within the time specified in the contract, or to otherwise be found in default of the contract. 3. See: BOND PAPER.

citations: Skeist, Irving. Handbook of adhesives. New York. Reinhold. 1962.


bond paper

norm: bond paper

text: A grade of writing or printing paper, now only vaguely associated with bonds, legal documents, etc., i.e., where durability and permanence are required. Bond paper today is widely used for forms, invoices, etc., and is a strong, tough paper that can take stiff, hard ink that dries by oxidation rather than by penetration. Bonds are produced from cotton fiber pulp, bleached chemical wood pulps, or combinations thereof. Although a bond is a typical writing paper, almost all of it is printed, e.g., letterheads; therefore it must have good printability, as well as good writing and erasing qualities. It must also possess cleanliness, formation, color, finish, and freedom from fuzz. It is usually made in basis weights ranging from 13 to 24 pounds (17 X 22—500).

citations: Radford, Richard George. Letterpress machine work. New York. Staples Press. 1951. 2 vol.


bond strength

norm: bond strength

text: The unit load, applied in tension, compression, flexure, peel, cleavage, or sheer, required to break two adherend materials, with failure occurring in or near the plane of the bond. The bond strength of adhesives used in archival work should be such that stress to the point of failure will result in failure of the adhesive, rather than either adherend.


bonding strength

norm: bonding strength

text: The resistance of paper, either coated or uncoated, to splitting or to the picking or lifting of its surface while being printed.


bone cutting

norm: bone cutting

text: A colloquial term used with reference to the slitting operation performed when an insert must be tipped-in a section, rather than onto the first or last leaf.

citations: U.S. Government Printing Office. Theory and practice of bookbinding. Rev. ed. Washington, D.C. U.S. Government Printing Office. 1962.


bone dust

norm: bone dust

text: An abrasive composed of crushed and ground bones, which, when mixed with powdered chalk and pumice, is used to clean vellum bindings.


bone glue

norm: bone glue

text: A GLUE processed from the collagen content of bones, mainly from "green" or fresh bones of bovine animals. Bone glue prepared from solvent-extracted, degreased bones is called "extracted bone glue."

citations: Kantrowitz, Morris S., and others. Bindery glues. Washington, D.C. U.S. Government Printing Office. (GPO-PIA joint research bulletin, B-3). 1948.


Bonet Paul

norm: bonet paul

text: An artisan and bibliophile who turned to the art of creating designs, Bonet was probably the most influential French designer of bookbindings of his day. He was at first influenced by the bindings of PIERRE LE GRAIN. While his early work was in purely geometrical gold fillet design, his later creations were related more closely to the spirit and theme of the book being decorated. Bonet had available to him the best bookbinders and gilders in Paris, and with them he concentrated on the contrasting textures of leathers, wood, and even metals, with surfaces scultptured and pierced, achieving nearly mathematical repetition of linear forms and even surrealist effects produced by collage and photography. See PLATE IX.

citations: Dahl, Svend. History of the book. 2nd English ed. Metuchen, N.J. Scarecrow. 1968.

citations: Walters Art Gallery, Baltimore. The history of bookbinding 525-1950 A.D. Compiled by Dorothy Miner. Baltimore. Trustees of the Walters Art Gallery. 1957.


bonnet board

norm: bonnet board

text: A very hard-rolled, thin, smooth-surfaced board similar to file indices; sometimes used for notebook covers.


book

norm: book

text:
See illustration</>

1. A collection of written, printed, illustrated, or blank leaves of paper, parchment (or vellum), papyrus, or other flexible or semi-flexible material, strung or bound together. Today, in its most familiar form, a book is considered to be one or more folded and gathered sheets of paper, fastened together at one edge, and trimmed on one or more of the remaining three edges to form a continuous series of uniform leaves. Specifically, a book is a collection of single sheets or folded leaves, bearing printing or writing, that have been folded, stitched, sewn, or secured by adhesive along the binding edge, generally rounded and backed, and usually secured between boards that have been covered in cloth, paper, or like material, or which have been bound in leather. See: CODEX. 2. A collection of tablets of wood, ivory, or other rigid material, containing writing, drawings, etc., and sometimes covered with blank covers of the same or different materials. 3. A continuous roll of parchment, or similar material, or a book and job folding machine strip of parchment creased between columns and folded in the manner of a CONCERTINA FOLD, and containing writing, etc. See also: SCROLL (1).

citations: Cunha, George Daniel Martin. Conservation of library materials. Metuchen, N.J. Scarecrow. 1967.

citations: Dunn and Wilson Group. The art and craft of bookbinding. Falkirk. Dunn & Wilson. 1968.

citations: Harrod, Leonard Montague. The librarians' glossary of terms used in librarianship and the book crafts, and reference book. 3rd ed. London. Deutsch. 1971.

citations: Hewitt-Bates, James Samuel. Bookbinding. 8th ed. Leicester. Dryad. 1967.


book

text: sizes of. See folio, quarto, octavo, sixteenmo, thirty-twomo, etc.


book and job folding machine

norm: book and job folding machine

text: A type of buckle folding machine having four folding levels, each at right angles to the preceding and following levels, which permit up to four right angle folds, resulting in 16 leaves (32 pages) from one sheet. This type of machine also has one and sometimes two parallel sections, which enables it to produce a section of up to 64 leaves from one sheet. Book and job folding machines are also sometimes equipped for cutting, padding, and trimming. See also: FOLDING MACHINES.

citations: Strauss, Victor. The printing industry…Washington, D.C. Printing Industries in America. 1967.


book basis

norm: book basis

text: The BASIC SIZE of the sheet of paper most often used in book printing in the United States- 25 by 38 inches.


book blocks

norm: book blocks

text: Flat, smooth boards of varying lengths and thicknesses, with one end shaped to fit the spine of a rounded book, and used to support the cover while pasting down the board paper or leather joint, and also when tooling the turn-ins or doublure. The block prevents strain at the joint of the book.


book cloth

norm: book cloth

text:
A generic term for the woven fabrics used in covering books. They are usually, but by no means always, woven cotton fabrics, which may be bleached or mercerized, dyed, filled with pigment colors, gelatinized, starched, coated or impregnated, calendered, and embossed (grained). They are divided into classes according to type and quality. Specifications for the fabrics used for book cloths are:

Book Cloths

(starch-filled and impregnated)

Group    Weight

A      Light

B      Medium

C      Heavy

C-1     Heavy

Buckrams

(starch-filled and impregnated)

Group        Weight

D         Light

E         Medium

F         Heavy

The specific (minimum) requirements for these fabrics are as follows below:

Group   Stripped-cloth   Warp plus filling  Breakings strength  Breaking

weight—not      threads per inch—   sum (warp plus    strength—

less than:       not less than:      filling—not     not less

less than:        than:

Pounds         Pounds

Ounces/square yard                                      Warp  Filling

A            1.7                92                 60           38     15

B            2.1                104                77           50     20

C            3.4                104               105           55     42

C-1          4.2                94                120           64     48

D            4.7                58                110           65     35

E            6.0                106               165          100     55

F            7.9                110               200          120     70

The breaking strength sum for embossed cloths has been established as 25% less than the figure for cloths that are not embossed.

Pyroxylin treated fabrics, which were introduced in about 1910, represented a major breakthrough in book cloth. The term "pyroxylin treated," as applied to book cloths, means either pyroxylin coated or pyroxylin impregnated cotton fabrics. The difference between the two is the quantity of protective coating applied and the manner of application, as well as the type of material treated. The pyroxylin composition consists of gelatinized nitrocellulose, a plasticizer to impart softness and flexibility, coloring matter, and a solvent. The fabrics used for impregnation are lightweight muslins, while those used for coating are heavier drills, twills, and sheeting. Coated fabrics are sometimes embossed in imitation of leather. The surface of impregnated fabrics retain the texture of the base materials. Pyroxylin impregnated fabrics are superior to starch-filled fabrics because their surfaces are more water resistant, they are more resistant to insects and fungi, and are generally stronger. They wear well and are particularly suitable for use in library binding. Pyroxylin coated fabrics are used extensively in edition binding because of the decorative effects obtainable. They, too, are water repellant and immune to insect attack and fungi, but they do not wear as well as impregnated cloths because of cracking at the joints and occasional peeling of the coating.

Book cloths for cheaper editions are closely woven, lightweight, starch-filled cotton fabrics, sometimes lightly embossed to conceal the weave of the fabric. They are generally attractive but have little strength or durability. They are also vulnerable to water spotting and soiling, and cannot be wiped clean. In addition, they are generally unsuitable for printing by offset lithography.

The book cloth used in library binding is generally of two types, pyroxylin impregnated and starch filled. The Library Binding Institute specifications for impregnated cloth, i.e., buckram, call for a base fabric of cotton, the warp yarns of which are to be woven in pairs, and with specifications the same as for group F, above. In addition, the Institute requires that the dye used must penetrate through the fabric so that both sides will be covered equally prior to the application of the impregnating compound (except in the case of "linen" type finishes). The impregnating compound must be uniform and homogeneous and be of either the nitrocellulose or cellulose acetate type. The weight of the impregnating compound must constitute at least 10% of the total weight of the finished fabric and must contain no oxidizable oils. The plasticizer, including oil (if any), must not exceed 20% by weight of the impregnating compound, nor must the weight of the pigment exceed 25% of the compound. Residual solvents, if any, are not to exceed 0.01% by weight of the finished fabric, and the pH of the cloth, as measured by standard methods, is not to be less than 6.5 nor more than 7.5, except in the case of the use of acid dyes, in which case the pH must not be less than 6.0. Cloth specifications state that the finished cloth shall be sufficiently water resistant to permit no penetration of water within a period of ten minutes, as determined by the ring test. The finished cloth is to be sufficiently grease resistant to permit no penetration of oleic acid within a period of five minutes, as determined by the ring test. The finished cloth must be capable of adhering permanently to boards and board papers under normal processing using either an animal glue or a resinous adhesive, and must resist rub-off to the degree that loss by abrasion shall not exceed 8% by weight of the fabric, when subjected to abrasion for 10 minutes by flint paper (2/0), on a disc 2 inches in diameter rotating at 1,250 rpm under 3 pounds of pressure. The finished cloth is to be free of marked odor, and its fastness to light shall be such that it will not lose color or fade when subjected to fadeometer exposure for 15 hours.

Cloth as a covering material for books is said to have been introduced, in England, by William Pickering, possibly as early as 1821-23, although books bound in burlap go back to the 1760s. Pickering's cloth was calico, a soft clothing material which disintegrated in the presence of glue unless it was lined with paper. ARCHIBALD LEIGHTON is generally credited with being the first to introduce a really durable cloth for covering books. The first true book cloth was a dyed and glazed calico, prepared with a starch filler to make it resistant to the moisture in glue.

The first cloth had little character and was aesthetically unpleasant. It was also without natural texture and the threads gave it a somewhat raw and unfinished appearance. What was needed was some sort of decoration which would make the threads less obvious. When this came about, it took the form of embossed grains worked on the material, either in the roll or piece. One of the earliest designs, introduced in 1831, was a water finish, which may have been an outgrowth of the watered silk patterns that were introduced in 1828; it was used only for a short period because of its high cost and poor durability. See also: CLOTH GRAINING.

For several years following the introduction of cloth, it was the usual practice of binders to buy the cloth in its basic white color, and then have it dyed, filled, and otherwise prepared for use, or to dye and finish it themselves. Embossing was done at first by means of ribbon embossers, but this was expensive, and the larger binderies did their own embossing by means of manually operated, heated rollers. By the 1840s, however, the complete manufacture of finished book cloth had become a separate business.

Notwithstanding its obvious advantages, it was not until the middle of the 19th century that cloth largely replaced paper in regular edition binding. The rapid increase in the use of cloth was largely due to the successful methods that were developed of blocking in gold on cloth-covered cases. It was then possible to give cloth bindings a finished appearance which enabled them to be compared favorably with hand-tooled leather and, therefore, acceptable as a permanent binding.

citations: Carter, John. Publisher's cloth; an outline history of publisher's binding in England, 1820-1900. New York. Bowker. 1935.

citations: Comparato, Frank E. Books for the millions; a history of the men whose methods and machines packaged the printed word. Harrisburg, Pa. Stackpole. 1971.

citations: Groome, George C. Bookbinding materials. Washington, D.C. U.S. Government Printing Office. 1938.

citations: Kantrowitz, Morris S., and others. Pyroxylin-treated book cloths. Washington, D.C. U.S. Government Printing Office. (GPO-PIA joint research bulletin, B-7). 1948.

citations: Kantrowitz, Morris S., and others. Starch-filled book cloth. Washington, D.C. U.S. Government Printing Office. (Technical bulletin, no. 21). 1934.

citations: Library Association. Library Binding Institute standard for library binding. 5th ed. Boston. Library Binding Institute. 1971.

citations: Middleton, Bernard C. A history of English craft bookbinding technique. New York. Hafner. 1963.

citations: Pleger, John J. Bookbinding. Rev. ed. Chicago. Inland Printer. 1924.

citations: Quayle, Eric. The collector's book of books. New York. Potter. 1971.

citations: Tauber, Maurice Falcolm. Library binding manual…Boston. Library Binding Institute. 1972.

citations: U.S. National Bureau of Standards. Fabrics for book covers. Washington, D.C. U.S. Government Printing Office. (Product Standard PS 9-68). 1968.


book conservation

norm: book conservation

text: See: CONSERVATION; RESTORATION.


book corners

norm: book corners

text: Protective caps for the corners of book covers, sometimes made of leather, but also of metal or the same material that covers the book. Also called "corners." See also: BOSSES.


book covers

norm: book covers

text: A protective cover or CHEMISE of soft leather, such as DOESKIN (1), or, in the case of blankbooks, a material such as canvas, sewn or slipped over a leather-covered book for protection against abrasion, moisture, light, etc. Soft leather covers were common in the Middle Ages and early Renaissance, and canvas or cloth slip-on covers are still being used for blankbooks.

citations: Diehl, Edith. Bookbinding; its background and technique. New York. Rinehart. 1946. 2 vol.


book crafts

norm: book crafts

text: The operations that are carried out in the production of books, including papermaking, printing, design of books, design and production of illustrations, and bookbinding.

citations: Town, Laurence. Bookbinding by hand, for students and craftsmen. New York. Pitman. 1950 (1951).


book forming and pressing machine

norm: book forming and pressing machine

text: A machine used in edition binding which applies heat and pressure by means of "creasers" to shape the spine of the text block. Such a machine is generally designed to be used in conjunction with a CASING-IN MACHINE. See also: BUILDING-IN MACHINE.


BOOK HOUSE

norm: book house

text: A printing office in which the printing of books is the chief business carried on: in many houses in London the materials for this purpose are most abundant; but at the same time they very rarely keep any great assortment of large type for jobs. See Job House.


book jacket

norm: book jacket

text: A wrapper originally used to protect the covering material of the book from soiling or other damage, but now also used for promotional purposes. It may be plain, printed, or illustrated, and is flush with the covers of the book at head and tail, but folded over the fore edge of both covers. It is usually detachable. Modern book jackets are often very elaborately designed and are frequently printed in color. The book jacket, in one form or another, can be traced back to the 16th century. Also called "book wrapper," "dust cover," "dust jacket," "dust wrapper," "jacket," and "wrapper."

citations: American Library Association. Editorial Committee. Subcommittee on library terminology. A. L. A. glossary of library terms, with a selection of terms in related fields. Compiled by Elizabeth H. Thompson. Chicago. American Library Association. 1943.

citations: Oswald, John Clyde. A history of printing; its development through five hundred years. New York. Appleton. 1928.


book jacketing machine

norm: book jacketing machine

text: A machine which automatically places jackets on newly bound edition bindings. The majority of such machines can jacket books up to a maximum of 10 by 8 by 2 inches, generally at speeds up to 35 books or more per minute.

citations: Vaughan, Alexander J. Modern bookbinding; a treatise covering both letterpress and stationery branches of the trade…New ed. London. Skilton. 1960.


book label

norm: book label

text: A simple printed or engraved name ticket (usually paper but sometimes leather), stuck to the inside of the upper cover or one of the front flyleaves of a book, generally for purposes of identification or ownership. A more elaborate label is known as a BOOKPLATE.

citations: Carter, John. A B C for book collectors. 5th ed. London. Hart Davis. 1972.


book lice

norm: book lice

text:
See notes on the electronic edition

Very small wingless insects of the order Corrodentia, usually of the family Atropidae, that will attack paper and book materials, and appear capable of living on mold and mildew. Also called "deathwatch." See also: BOOKWORMS.


book papers

norm: book papers

text:
A class or group of cultural papers which have in common characteristics that, in general, make them suitable for the graphic arts. The various characteristics are designed to meet the requirements of the method of printing and the end use of the publication produced. Book papers are produced from rag pulps, mechanical and chemical wood pulps, esparto pulp, cotton fiber pulps, reclaimed paper stock, or combinations of different pulps. Mineral fillers, sizing, coloring matter, or other materials are added to the pulp in whatever combination is needed to give the appearance, strength, opacity, brightness, printability, permanence, etc., to fit the immediate or end use of the paper. The bulk of this type of paper is produced on a conventional FOURDRINIER MACHINE and is machine dried; however, some book papers are made on cylinder and hand molds.

Uncoated book papers are used in the printing of periodicals, books, pamphlets, and the like, and are converted into other products such as tablets, ledger paper, etc. They are generally made on a Fourdrinier machine and may or may not be surface sized. They are made to various bulk specifications and in a variety of finishes, including antique, eggshell, machine, English, a:nd super-calendered, as well as in special or fancy finishes. Uncoated papers are made in basis weights 30 to 150 pounds (25 X 38—500), the most common weights being 30 to 70 pounds.

Coated papers are used in the printing of periodicals, books, pamphlets, etc., where the use of fine halftone illustrations may be required. They are well sized and possess good tearing strength. The base papers are coated with white mineral pigments mixed with adhesives such as casein, starch, latex, resin, or glue, either on the papermaking machine as part of the manufacturing process or as a separate operation subsequent to the manufacture of the base paper. Waxes or soaps may also be added to the coating mixtures to add to the finish and feel of the paper. The mineral pigments employed include clay, satin white, barium sulfate, calcium carbonate, calcium sulfite, and titanium oxide, which may be applied as such or in mixtures, the selection of the combination used being determined by the effect required. The adhesives and the amounts used are selected according to the surface strength of the coating md its resistance to moisture and vehicles used in the printing inks. Coated papers may be coated on one or both sides with a single or double coating. Virtually all are supercalendered, with finishes ranging from a dull matte to a high gloss. The basis weights for these papers range from 30 to 150 pounds (25 X 38—500), with 40 to 80 pounds being most common. Coated papers usually have a brighter color, greater opacity, and a higher finish than uncoated book papers.

citations: American Paper and Pulp Association. The dictionary of paper, including pulp, paperboard, paper properties and related papermaking terms. 3rd ed. New York. American Paper and Pulp Association. 1965.

citations: Barrow (W. J.) Research Laboratory. Physical and chemical properties of book papers, 1507-1949. Richmond, Va. Barrow (W. J.) Research Laboratory. Permanence/ durability of the book, no. 7. 1974.

citations: Barrow (W. J.) Research Laboratory. Strength and other characteristics of book papers 1800-1899. Richmond, Va. Barrow (W. J.) Research Laboratory. Permanence/ durability of the book, no. 5. 1967.

citations: Browning, Bertie Lee. Analysis of paper. New York. Dekker. 1969.

citations: Clapperton, Robert Henderson. Paper and its relationship to books. London. Dent. 1934.

citations: Sutermeister, Edwin. Chemistry of pulp and pa per making. 3rd ed. New York. Wiley. 1941.

citations: Virginia. State Library. Richmond. The manufacture and testing of durable book papers. Based on the investigations of W. J. Barrow. Edited by Randolph W. Church. Richmond, Va. (Virginia State Library publications, no. 13). 1960.

citations: Winger, Howard W., and Richard D. Smith, eds. Deterioration and preservation of library materials…Chicago. University of Chicago Press. (34th Annual Conference of the Graduate Library School). 1970.


book pocket

norm: book pocket

text: A receptacle of stiff paper, cloth, buckram, leather, or an ordinary envelope, pasted on the inside of a book usually the lower cover to hold loose material, maps, charts, user cards, etc. Some book pockets, such as those found in many English (as well as Continental) almanacs from the late 17th to the early 18th centuries, have concertina (expansion) folds at head and tail and open at the fore edge. Sometimes a COMPENSATION GUARD is required to provide for the thickness of the material in the pocket. The opening of the typical pocket is at the head, or less often, at the binding edge.


BOOK PRESS

norm: book press

text: The Book Press, in the warehouse department, used for pressing books previously to their delivery, is the common screw press with a perpendicular screw, screwed down by means of an iron bar; it is also used for pressing paper when wetted, for the purpose of improving its condition previously to the process of printing, and also in cylindrical or machine printing to cause the paper, and particularly large sheets, to lie flat, which are otherwise apt to wrinkle in being carried round the cylinders upon a flat surface. In large establishments Bramah’s hydrostatic press is generally used for these purposes, as being much more powerful and expeditious both in its use and in its effect. See Hydrostatic Press.


book repairer

norm: book repairer

text: The so-called one man bookbinder or repairer, an itinerant bookbinder who offers to bind, rebind, restore and/or clean books in a library, generally quickly and at low cost. Book repairers are not nearly so numerous as they were in the past; however, they still exist, and probably many thousands of books have been "restored," some well and some poorly, by these itinerant bookbinders.

citations: Feipel, Louis Nicholas, and Earl W. Browning. Library bookbinding manual…Chicago. American Library Association. 1951.


book rest

norm: book rest

text: A device designed to hold a book in position during the tooling of the area where the spine curves around onto the sides. Its advantage is that it provides a better angle at which to work, as well as better sighting. The sloping sides of a FINISHING PRESS are also used for the same purpose.

citations: Fahey, Herbert, and Peter Fahey. Finishing in hand bookbinding…  San Francisco. The authors. 1951.


book sander

norm: book sander

text: A machine used in library binderies to remove the spine folds of a book having binding margins so narrow that the folds cannot be trimmed away in a cutting machine. Modern sanders can be adjusted to remove as little as 1/32 inch. The sander is also preferred by many library binders because it is faster than a cutting machine.

citations: Hitchcock, Frederick H. The building of a book…2nd ed. New York. Bowker. 1929.